It is not surprising that, in such a state of thought and feeling, many of the more ambitious and accomplished women should have betaken themselves to this career, nor yet that they should have attained the social position which the secluded existence and the enforced ignorance of the Greek wives had left vacant. The courtesan was the one free woman of Athens, and she often availed herself of her freedom to acquire a degree of knowledge which enabled her to add to her other charms an intense intellectual fascination. Gathering around her the most brilliant artists, poets, historians, and philosophers, she flung herself unreservedly into the intellectual and æsthetic enthusiasms of her time, and soon became the centre of a literary society of matchless splendour. Aspasia, who was as famous for her genius as for her beauty, won the passionate love of Pericles. She is said to have instructed him in eloquence, and to have composed some of his most famous orations; she was continually consulted on affairs of state; and Socrates, like other philosophers, attended her assemblies. Socrates himself has owned his deep obligations to the instructions of a courtesan named Diotima. The courtesan Leontium was among the most ardent disciples of Epicurus.(576) Another cause probably contributed indirectly to the elevation of this class, to which it is extremely difficult to allude in an English book, but which it is impossible altogether to omit, even in the most cursory survey of Greek morals. Irregular female connections were looked upon as ordinary and not disgraceful incidents in the life of a good man, for they were compared with that lower abyss of unnatural love, which was the deepest and strangest taint of Greek civilisation. This vice, which never appears in the writings of Homer and Hesiod, doubtless arose under the influence of the public games, which, accustoming men to the contemplation of absolutely nude figures,(577) awoke an unnatural passion,(578) totally remote from all modern feelings, but which in Greece it was regarded as heroic to resist.(579) The popular religion in this, as in other cases, was made to bend to the new vice. Hebe, the cup-bearer of the gods, was replaced by Ganymede, and the worst vices of earth were transported to Olympus.(580) Artists sought to reflect the passion in their statues of the Hermaphrodite, of Bacchus, and the more effeminate Apollo; moralists were known to praise it as the bond of friendship, and it was spoken of as the inspiring enthusiasm of the heroic Theban legion of Epaminondas.(581) In general, however, it was stigmatised as unquestionably a vice, but it was treated with a levity we can now hardly conceive. We can scarcely have a better illustration of the extent to which moral ideas and feelings have changed, than the fact that the first two Greeks who were considered worthy of statues by their fellow-countrymen are said to have been