To qualities which were thus in some sense formed in him by circumstances, he added remarkable ones which were Nature’s special gift to him. His extraordinary tact and good sense, both in dealing personally with individuals and in literary criticism; his fiery ardour, and vehement spirit of proselytism; his singular penetration of vision, and power to arrange in the clearest mode the thoughts which he wished to transmit; above all, his wit and wonderful power of satire were qualities which, though in some degree shared by his countrymen, cannot be explained by mere circumstances, but are natural gifts. These three intellectual endowments, acuteness, order, and satire,(525) are regarded by the authority that we are taking for our guide, as the qualities which formed the secret of his power as a writer, and at the same time as the sources of intellectual temptation which prevented him from gaining a deeper insight into truth, and deprived him of influence with posterity. For his quickness prevented the exercise of the reflection, the patient meditation, which is the only high road to solve the mysteries of existence. It has been well said,(526) that Voltaire saw so much more deeply at a glance than other men, that no second glance was ever given by him. His power of order assisting his quickness, was a still further temptation. Though far inferior in erudition to some of his contemporaries, such as Diderot, and in depth of feeling to Rousseau, lacking originality, and borrowing most of his philosophical thoughts at second hand, he yet surpassed them all by a matchless power of arrangement. The perfection of form diverted attention from the subject matter. He possessed method rather than genius, intellect rather than imagination. But above all his other powers, his most singular gift was his power of satire. When stimulated by a sense of injustice, or of hatred against men or systems, it made him omnipotent in destruction. This satirical power contributed to preclude the possession of depth of reflection. Ridicule has an office in criticism. It is the true punishment of folly. But it has been well observed,(527) that it is dangerous to him who employs it, as being directly opposed to humility. The satirist places himself above that which he ridicules, and makes himself the judge: the humility of the listener is laid aside; the selfish belief of his own infallibility is fostered; forbearance and sympathy are laid aside. The critic argues, the satirist only laughs. Pity may be compatible with humour, but only contempt with satire. Voltaire was by nature a satirist; and when his mockery was applied to a subject like Christianity or religion, his utter want of reverence not only caused him to substitute a caricature for a picture, but prevented him from exercising discrimination in distinguishing Christianity from its counterfeit, religion from the ministers of it. Hence his attacks on Christianity partake of the tone of