Of which take this acme; and then end. Fassmann, a fellow not without sarcasm and sharpness, as you may still see, has one evening provoked Gundling to the transcendent pitch,--till words are weak, and only action will answer. Gundling, driven to the exploding point, suddenly seizes his Dutch smoking-pan, of peat-charcoal ashes and red-hot sand; and dashes it in the face of Fassmann; who is of course dreadfully astonished thereby, and has got his very eyebrows burnt, not to speak of other injuries. Stand to him, Fassmann! Fassmann stands to him tightly, being the better man as well as the more satirical; grasps Gundling by the collar, wrenches him about, lays him at last over his knee, sitting-part uppermost; slaps said sitting-part (poor sitting-part that had broken the ice of Wusterhausen) with the hot pan,--nay some say, strips it and slaps. Amid the inextinguishable horse-laughter (sincere but vacant) of the Houyhnhnm Olympus. After which, his Majesty, as epilogue to such play, suggests, That feats of that nature are unseemly among gentlemen; that when gentlemen have a quarrel, there is another way of settling it. Fassmann thereupon challenges Gundling; Gundling accepts; time and place are settled, pistols the weapon. At the appointed time and place Gundling stands, accordingly, pistol in hand; but at sight of Fassmann, throws his pistol away; will not shoot any man, nor have any man shoot him. Fassmann sternly advances; shoots his pistol (powder merely) into Gundling's sublime goat's-hair wig: wig blazes into flame; Gundling falls shrieking, a dead man, to the earth; and they quench and revive him with a bucket of water. Was there ever seen such horse-play? Roaring laughter, huge, rude, and somewhat vacant, as that of the Norse gods over their ale at Yule time;--as if the face of the Sphinx were to wrinkle itself in laughter; or the fabulous Houyhnhnms themselves were there to mock in their peculiar fashion.