from the hands of Themis, the immortal food, nectar and ambrosia,
when he burst at once his infant bands, and displayed himself in full
divine form and strength, claiming his characteristic attributes
of the bow and the harp, and his privileged function of announcing
beforehand to mankind the designs of Zeus. The promise made by Lêtô to
Dêlos was faithfully performed: amidst the numberless other temples
and groves which men provided for him, he ever preferred that island
as his permanent residence, and there the Ionians with their wives
and children, and all their “bravery,” congregated periodically from
their different cities to glorify him. Dance and song and athletic
contests adorned the solemnity, and the countless ships, wealth, and
grace of the multitudinous Ionians had the air of an assembly of gods.
The Delian maidens, servants of Apollo, sang hymns to the glory of
the god, as well as of Artemis and Lêtô, intermingled with adventures
of foregone men and women, to the delight of the listening crowd. The
blind itinerant bard of Chios (composer of this the Homeric hymn,
and confounded in antiquity with the author of the Iliad) had found
honor and acceptance at this festival, and commends himself, in a
touching farewell strain, to the remembrance and sympathy of the Delian
maidens.[100]
[99] According to another legend, Lêtô was said to have been
conveyed from the Hyperboreans to Dêlos in twelve days, in
the form of a she-wolf, to escape the jealous eye of Hêrê. In
connection with this legend, it was affirmed that the she-wolves
always brought forth their young only during these twelve days in
the year (Aristot. Hist. Animal. vii. 35).
[100] Hom. Hymn. Apoll. i. 179.
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