Such are the legends of Dêlos and Delphi, according to the Homeric Hymn to Apollo. The specific functions of the god, and the chief localities of his worship, together with the surnames attached to them, are thus historically explained, being connected with his past acts and adventures. Though these are to us only interesting poetry, yet to those who heard them sung they possessed all the requisites of history, and were fully believed as such, not because they were partially founded in reality, but because they ran in complete harmony with the feelings; and, so long as that condition was fulfilled, it was not the fashion of the time to canvass truth or falsehood. The narrative is purely personal, without any discernible symbolized doctrine or allegory, to serve as a supposed ulterior purpose: the particular deeds ascribed to Apollo grow out of the general preconceptions as to his attributes, combined with the present realities of his worship. It is neither history nor allegory, but simple mythe or legend. The worship of Apollo is among the most ancient, capital, and strongly marked facts of the Grecian world, and widely diffused over every branch of the race. It is older than the Iliad or Odyssey, in the latter of which both Pythô and Dêlos are noted, though Dêlos is not named in the former. But the ancient Apollo is different in more respects than one from the Apollo of later times. He is in an especial manner the god of the Trojans, unfriendly to the Greeks, and especially to Achilles; he has, moreover, only two primary attributes, his bow and his prophetic powers, without any distinct connection either with the harp, or with medicine, or with the sun, all which in later times he came to comprehend. He is not only, as Apollo Karneius, the chief god of the Doric race, but also (under the surname of Patrôus) the great protecting divinity of the gentile tie among the Ionians:[106] he is moreover the guide and stimulus to Grecian colonization, scarcely any colony being ever sent out without encouragement and direction from the oracle at Delphi: Apollo Archêgetês is one of his great surnames.[107] His temple lends sanctity to the meetings of the Amphiktyonic assembly, and he is always in filial subordination and harmony with his father Zeus: Delphi and Olympia are never found in conflict. In the Iliad, the warm and earnest patrons of the Greeks are Hêrê, Athênê, and Poseidôn: here too Zeus and Apollo are seen in harmony, for Zeus is decidedly well-inclined to the Trojans, and reluctantly sacrifices them to the importunity of the two great goddesses.[108] The worship of the Sminthian Apollo, in various parts of the Troad and the neighboring territory, dates before the earliest periods of Æolic colonization:[109] hence the zealous patronage of Troy ascribed to him in the Iliad. Altogether, however, the distribution and partialities of the gods in that poem are different from what they become in later