We may trace, I think, in this quintuple succession of earthly races,
set forth by the author of the “Works and Days,” the confluence of
two veins of sentiment, not consistent one with the other, yet both
coëxisting in the author’s mind. The drift of his poem is thoroughly
didactic and ethical: though deeply penetrated with the injustice and
suffering which darken the face of human life, he nevertheless strives
to maintain, both in himself and in others, a conviction that on the
whole the just and laborious man will come off well,[153] and he
enforces in considerable detail the lessons of practical prudence and
virtue. This ethical sentiment, which dictates his appreciation of the
present, also guides his imagination as to the past. It is pleasing
to him to bridge over the chasm between the gods and degenerate man,
by the supposition of previous races,—the first altogether pure, the
second worse than the first, and the third still worse than the second;
and to show further how the first race passed by gentle death-sleep
into glorious immortality; how the second race was sufficiently wicked
to drive Zeus to bury them in the under-world, yet still leaving them
a certain measure of honor; while the third was so desperately violent
as to perish by its own animosities, without either name or honor of
any kind. The conception of the golden race passing after death into
good guardian dæmons, which some suppose to have been derived from a
comparison with oriental angels, presents itself to the poet partly as
approximating this race to the gods, partly as a means of constituting
a triple gradation of post-obituary existence, proportioned to the
character of each race whilst alive. The denominations of gold and
silver, given to the first two races, justify themselves, like those
given by Simonidês of Amorgos and by Phokylidês to the different
characters of women, derived from the dog, the bee, the mare, the ass,
and other animals; and the epithet of brazen is specially explained
by reference to the material which the pugnacious third race so
plentifully employed for their arms and other implements.
[153] There are some lines, in which he appears to believe that,
under the present wicked and treacherous rulers, it is not the
interest of any man to be just (Opp. Di. 270):—
Νῦν δὴ ἐγὼ μήτ᾽ αὐτὸς ἐν ἀνθρώποισι δίκαιος
Εἴην, μήτ᾽ ἐμὸς υἱός· ἐπεὶ κακόν ἐστι δίκαιον
Ἔμμεναι, εἰ μείζω γε δίκην ἀδικώτερος ἕξει·
Ἀλλὰ τόδ᾽ οὔπω ἔολπα τελεῖν Δία τερπικέραυνον.
On the whole, however, his conviction is to the contrary.
Plutarch rejects the above four lines, seemingly on no other
ground than because he thought them immoral and unworthy of
Hesiod (see Proclus _ad loc._). But they fall in perfectly with
the temper of the poem: and the rule of Plutarch is inadmissible,
in determining the critical question of what is genuine or
spurious.
Public-domain text, read in full here on John Shaqi.
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