Lastly, the twofold discussion of the gods, at the beginning of the
first and fifth books, and the double interference of Athênê, far
from being a needless repetition, may be shown to suit perfectly
both the genuine epical conditions and the unity of the poem.[278]
For although the final consummation, and the organization of
measures against the suitors, was to be accomplished by Odysseus
and Telemachus jointly, yet the march and adventures of the two,
until the moment of their meeting in the dwelling of Eumæus, were
essentially distinct. But, according to the religious ideas of the
old epic, the presiding direction of Athênê was necessary for the
safety and success of both of them. Her first interference arouses
and inspires the son, her second produces the liberation of the
father,—constituting a point of union and common origination for two
lines of adventures, in both of which she takes earnest interest, but
which are necessarily for a time kept apart in order to coincide at
the proper moment.
[278] W. Müller is not correct in saying that, in the first
assembly of the gods, Zeus promises something which he does not
perform: Zeus does not _promise_ to send Hermes as messenger to
Kalypsô, in the first book, though Athênê urges him to do so.
Zeus, indeed, requires to be urged twice before he dictates to
Kalypsô the release of Odysseus, but he had already intimated, in
the first book, that he felt great difficulty in protecting the
hero, because of the wrath manifested against him by Poseidôn.
It will thus appear that the twice-repeated agora of the gods in the
Odyssey, bringing home, as it does to one and the same divine agent,
that double start which is essential to the scheme of the poem,
consists better with the supposition of premeditated unity than with
that of distinct self-existent parts. And, assuredly, the manner in
which Telemachus and Odysseus, both by different roads, are brought
into meeting and conjunction at the dwelling of Eumæus, is something
not only contrived, but very skilfully contrived. It is needless
to advert to the highly interesting character of Eumæus, rendered
available as a rallying-point, though in different ways, both to the
father and the son, over and above the sympathy which he himself
inspires.
Public-domain text, read in full here on John Shaqi.
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