O. Müller (Dissertation on the Eumenides of Æschylus, p. 222,
Eng. Transl.) says: “On no occasion does Zeus Soter exert his
influence directly, like Apollo, Minerva, and the Erinnyes;
but whereas Apollo is prophet and exegetes by virtue of wisdom
derived from him, and Minerva is indebted to him for her sway
over states and assemblies,—nay, the very Erinnyes exercise their
functions in his name,—this Zeus stands always in the background,
and has in reality only to settle a conflict existing within
himself. For with Æschylus, as with all men of profound feeling
among the Greeks from the earliest times, Jupiter is the only
real god, in the higher sense of the word. Although he is, in
the spirit of ancient theology, a generated god, arisen out of
an imperfect state of things, and not produced till the third
stage of a development of nature,—still he is, at the time we are
speaking of, the spirit that pervades and governs the universe.”
To the same purpose Klausen expresses himself (Theologumena
Æschyli, pp. 6-69).
It is perfectly true that many passages may be produced from
Greek authors which ascribe to Zeus the supreme power here
noted. But it is equally true that this conception is not
uniformly adhered to, and that sometimes the Fates, or Mœræ are
represented as supreme; occasionally represented as the stronger
and Zeus as the weaker (Promêtheus, 515). The whole tenor of
that tragedy, in fact, brings out the conception of a Zeus
τύραννος,—whose power is not supreme, even for the time; and
is not destined to continue permanently, even at its existing
height. The explanations given by Klausen of this drama appear to
me incorrect; nor do I understand how it is to be reconciled with
the above passage quoted from O. Müller.
The two oracles here cited from Herodotus exhibit plainly the
fluctuation of Greek opinion on this subject: in the one, the
supreme determination, and the inexorability which accompanies
it, are ascribed to Zeus,—in the other, to the Mœræ. This double
point of view adapted itself to different occasions, and served
as a help for the interpretation of different events. Zeus was
supposed to have certain sympathies for human beings; misfortunes
happened to various men which he not only did not wish to bring
on, but would have been disposed to avert; here the Mœræ, who had
no sympathies, were introduced as an explanatory cause, tacitly
implied as overruling Zeus. “Cum Furiis Æschylus Parcas tantum
non ubique conjungit,” says Klausen (Theol. Æsch. p. 39); and
this entire absence of human sympathies constitutes the common
point of both,—that in which the Mœræ and the Erinnyes differ
from all the other gods,—πέφρικα τὰν ὠλεσίοικον θεὰν, οὐ θεοῖς
ὁμοίαν (Æschyl. Sept. ad Theb. 720): compare Eumenid. 169, 172,
and, indeed, the general strain of that fearful tragedy.
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