So at least he is made to do in the Thucydidean dramatic fragment,—Μήλου Ἅλωσις (The Capture of Melos),—if we may parody the title of the lost tragedy of Phrynichus “The Capture of Miletus.” And I think a comprehensive view of the history of Thucydidês will suggest to us the explanation of this drama, with its powerful and tragical effect. The capture of Mêlos comes immediately before the great Athenian expedition against Syracuse, which was resolved upon three or four months afterwards, and despatched during the course of the following summer. That expedition was the gigantic effort of Athens, which ended in the most ruinous catastrophe known to ancient history. From such a blow it was impossible for Athens to recover. Though thus crippled, indeed, she struggled against its effects with surprising energy; but her fortune went on, in the main, declining,—yet with occasional moments of apparent restoration,—until her complete prostration and subjugation by Lysander. Now Thucydidês, just before he gets upon the plane of this descending progress, makes a halt, to illustrate the sentiment of Athenian power in its most exaggerated, insolent, and cruel manifestation, by this dramatic fragment of the envoys at Mêlos. It will be recollected that Herodotus, when about to describe the forward march of Xerxês into Greece, destined to terminate in such fatal humiliation, impresses his readers with an elaborate idea of the monarch’s insolence and superhuman pride, by various conversations between him and the courtiers about him, as well as by other anecdotes, combined with the overwhelming specifications of the muster at Doriskus. Such moral contrasts and juxtapositions, especially that of ruinous reverse following upon overweening good fortune, were highly interesting to the Greek mind. And Thucydidês—having before him an act of great injustice and cruelty on the part of Athens, committed exactly at this point of time—has availed himself of the form of dialogue, for once in his history, to bring out the sentiments of a disdainful and confident conqueror in dramatic antithesis. They are, however, his own sentiments, conceived as suitable to the situation; not those of the Athenian envoy,—still less, those of the Athenian public,—least of all, those of that much-calumniated class of men, the Athenian sophists. CHAPTER LVII. SICILIAN AFFAIRS AFTER THE EXTINCTION OF THE GELONIAN DYNASTY.