The meaning of παραῤῥύματα is very uncertain. The commentators
give little instruction; nor can we be sure that the same thing
is meant as is expressed by παραβλήματα (_infra_, ii, 1, 22).
We may be quite sure that the matters meant by παραῤῥύματα were
something which, if visible at all to a spectator without, would
at least afford no indication that the trireme was intended
for a speedy start; otherwise, they would defeat the whole
contrivance of Konon, whose aim was secrecy. It was essential
that this trireme, though afloat, should be made to look as much
as possible like to the other triremes which still remained
hauled ashore; in order that the Peloponnesians might not suspect
any purpose of departure. I have endeavored in the text to give
a meaning which answers this purpose, without forsaking the
explanations given by the commentators: see Boeckh, Ueber das
Attische Seewesen, ch. x, p. 159.
The latter immediately made all haste to the aid of Konon, with the
small force which he had with him, no more than twelve triremes.
The two harbors being both guarded by a superior force, he tried to
get access to Mitylênê through the Euripus, a strait which opens
on the southern coast of the island into an interior lake, or bay,
approaching near to the town. But here he was attacked suddenly by
Kallikratidas, and his squadron all captured except two triremes, his
own and another; he himself had great difficulty in escaping.[255]
[255] Xenoph. Hellen. i, 6, 22. Διομέδων δὲ βοηθῶν Κόνωνι
πολιορκουμένῳ δώδεκα ναυσὶν ὡρμίσατο ἐς τὸν εὔριπον τὸν τῶν
Μυτιληναίων.
The reader should look at a map of Lesbos, to see what is
meant by the Euripus of Mitylênê, and the other Euripus of the
neighboring town of Pyrrha.
Diodorus (xiii, 79) confounds the Euripus of Mitylênê with the
harbor of Mitylênê, with which it is quite unconnected. Schneider
and Plehn seem to make the same confusion (see Plehn, Lesbiaca,
p. 15).
Public-domain text, read in full here on John Shaqi.
Reviews
Reviews
No reviews yet
Be the first to share your thoughts on this work.
Elsewhere in the archive
Join the Discussion
Join the discussion
Sign in to leave a comment or review.
Sign InorCreate an account