There is, however, one point which is perplexing. Plutarch
(Timoleon, c. 15) animadverts upon a passage in the history of
Philistus, wherein that historian had dwelt, with a pathos which
Plutarch thinks childish and excessive, upon the melancholy
condition of the daughters of Leptinês, “who had fallen from the
splendor of a court into a poor and mean condition.” How is this
reconcilable with the fact stated by Diodorus, that Leptinês was
recalled from exile by Dionysius after a short time, taken into
favor again, and invested with command at the battle of Kronium,
where he was slain? It seems difficult to believe that Philistus
could have insisted with so much sympathy upon the privations
endured by the daughters of Leptinês, if the exile of the father
had lasted only a short time.
Such was the memorable scene at the Olympic festival of 384 B. C.,
together with its effect upon the mind of Dionysius. Diodorus, while
noticing all the facts, has cast an air of ridicule over them by
recognizing nothing except the vexation of Dionysius, at the ill
success of his poem, as the cause of his mental suffering; and by
referring to the years 388 B. C. and 386 B. C., that which properly
belongs to 384 B. C.[72] Now it is improbable, in the first place,
that the poem of Dionysius,—himself a man of ability and having every
opportunity of profiting by good critics whom he had purposely
assembled around him[73]—should have been so ridiculously bad as to
disgust an impartial audience: next, it is still more improbable
that a simple poetical failure, though doubtless mortifying to
him, should work with such fearful effect as to plunge him into
anguish and madness. To unnerve thus violently a person like
Dionysius—deeply stained with the great crimes of unscrupulous
ambition, but remarkably exempt from infirmities—some more powerful
cause is required; and that cause stands out conspicuously, when we
conceive the full circumstances of the Olympic festival of 384 B.
C. He had accumulated for this occasion all the means of showing
himself off, like Krœsus in his interview with Solon, as the most
prosperous and powerful man in the Hellenic world;[74] means beyond
the reach of any contemporary, and surpassing even Hiero or Thero
of former days, whose praises in the odes of Pindar he probably
had in his mind. He counted, probably with good reason, that his
splendid legation, chariots, and outfit of acting and recitation for
the poems, would surpass everything else seen on the holy plain;
and he fully expected such reward as the public were always glad
to bestow on rich men who exhausted their purses in the recognized
vein of Hellenic pious ostentation. In this high wrought state of
expectation, what does Dionysius hear, by his messengers returning
from the festival? That their mission had proved a total failure, and
even worse than a failure; that the display had called forth none of
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