_Music Is a Form of Language_.--Early poetry was a recital of deeds, and a monotonous chant, which finally became recorded as language developed. The sagas and the war songs {132} were the earliest expressions which later were combined with dramatic action. The poetry of primitive races has no distinguishing characteristics except metre or rhythm. It is usually an oft-recurring expression of the same idea. Yet there are many fragmentary examples of lyric poetry, though it is mostly egoistic, the individual reciting his deeds or his desires. From the natives of Greenland we have the following about the hovering of the clouds about the mountain: "The great Koonak mountain, over there-- I see it; The great Koonak mountain, over there-- I am looking at it; The bright shining in the South, over there-- I admire it; The other side of Koonak-- It stretches out-- That which Koonak-- Seaward encloses. See how they in the South Move and change-- See how in the South They beautify one another; While it toward the sea Is veiled--by changing clouds Veiled toward the sea Beautifying one another." The emotional nature of savages varies greatly in different tribes. The lives of some seem to be moved wholly through the emotions, while others are stolid or dull. The variations in musical ability and practice of savage and barbarous races are good evidence of this. Many of the tribes in Africa have their rude musical instruments, and chant their simple, monotonous music. The South Sea Islanders beat hollow logs with clubs, marking time and creating melody by these notes. The Dahomans use a reed fife, on which they play music of several notes. In all primitive music, time is the chief element, and this is not always kept with any degree of accuracy. The {133} chanting of war songs, the moaning of the funeral dirge, or the sprightly singing with the dance, shows the varied expression of the emotional nature. No better illustration of the arts of pleasure may be observed than the practices of the Zuni Indians and other Pueblo Indians of New Mexico. The Zuni melodies are sung on various festival occasions. Some are sacred melodies, used in worship; others are on the occasion of the celebration of the rabbit hunt, the rain dances, and the corn dances. Among the Pueblo Indians the cachina dance is for the purpose of invoking bountiful rains and good harvests. In all of their feasts, games, plays, and dances there are connected ceremonies of a religious nature. Religion occupies a very strong position in the minds of the people. Possessed of a superstitious nature, it was inevitable that all the arts of pleasure should partake somewhat of the religious ceremony. The song and the dance and the beating of the drums always accompanied every festival.