History of Indian and Eastern ArchitectureFergusson, James
History
History of Indian and Eastern Architecture
Fergusson, James
Architecture -- India; Architecture, Asian
Their great interest, therefore, from a historical point of view,
consists in their being almost unique specimens of the architecture and
arts of India during the great Gupta period, when Theodosius II. was
emperor of the East, and at a time when Bahram Gaur, the Sassanian, is
said to have visited India. He reigned 420 to 440; if he did visit
India, it must have been while they were in course of being
excavated.[192]
Nos. 18, 19, and 20 succeed this group, both in position and in style,
and probably occupied the remaining half of the 5th century in
construction, bringing down our history to about A.D. 500.
Before proceeding further in this direction, the cave-diggers seem to
have turned back and excavated Nos. 8, 7, and 6. The last named is the
only two-storeyed cave at Ajunta, and would be very interesting if it
were not so fearfully ruined by damp and decay, owing to the faulty
nature of the rock in which it is excavated. No. 7 has a singularly
elegant verandah, broken by two projecting pavilions.[193] Internally,
it is small, and occupied by a whole pantheon of Buddhas. It resembles,
in fact, in almost every respect, No. 17 at Nassick, with which it is,
no doubt, contemporary.
There still remain the five first caves at the northern end, and the six
last at the southern: one of these is a chaitya, the other ten are
viharas of greater or less dimensions. Some are only commenced, and
two, Nos. 4 and 24, which were intended to have been the finest of the
series, are left in a very incomplete state: interesting, however, as
showing the whole process of an excavation from its commencement to its
completion. Both these were intended to be 28-pillared caves, and the
hall of No. 4 measures 84 ft. by 89 ft.
Caves Nos. 1 and 2 are among the most richly-sculptured of the caves.
The façade, indeed, of No. 1 is the most elaborate and beautiful of its
class at Ajunta, and with the corresponding caves at the opposite end
conveys a higher idea of the perfection to which decorative sculpture
had attained at that age than anything else at Ajunta. With the last
chaitya, which belongs to this group, these caves carry our history down
certainly into the 7th century. The work in the unfinished caves, I
fancy, must have been arrested by the troubles which took place in
Central India about the year 650, or shortly afterwards, when, I fancy,
the persecution of the Buddhists commenced, and after which it is hardly
probable that any community of that faith would have leisure or means to
carry out any works, on such a scale at least, as these Ajunta viharas.
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