There is still another group of these small viharas, called the Chumarwarra, or (if I understand correctly) the Chumars’ (or ‘shoe-makers’) quarter. The first is square, with twelve pillars on the same plan as those at Ajunta, though the detail is similar to the Viswakarma. There are cells, and in the sanctuary Buddha sitting with the feet down; it never has been finished, and is now much ruined. The second is similar in plan, though the pillars are of the cushion form of Elephanta and the Dehrwarra, but the capitals are much better formed than in the last example, and more ornamented; the lateral galleries here contain figures of Buddha, all like the one in the sanctuary, sitting with their feet down, and there are only two cells on each side of the sanctuary. The last is a small plain vihara with cells, but without pillars, and much ruined. The whole of the caves in this group resemble one another so much in detail and execution that it is difficult to make out any succession among them, and it is probable that they were all excavated within the same century as the Viswakarma. The next three temples are particularly interesting to the antiquarian, as pointing out the successive steps by which the Buddhistical caves merged into the Brahmanical. The first is the Do Tal, or Dookya Ghur, a Buddhist vihara of two storeys; most of its details are so similar to those above described that it may be assumed to be, without doubt, of the same age. It is strictly Buddhistic in all its details, and shows no more tendency towards Brahmanism than what was pointed out in speaking of the Viswakarma. It apparently was intended to have had three storeys, but has been left unfinished. The next, or Teen Tal, is very similar to the last in arrangement and detail, and its sculptures are all Buddhistical, though deviating so far from the usual simplicity of that style as almost to justify the Brahmans in appropriating them as they have done.