History of Indian and Eastern ArchitectureFergusson, James
History
History of Indian and Eastern Architecture
Fergusson, James
Architecture -- India; Architecture, Asian
placed in a pit. In the cognate temples at Mahavellipore (Woodcut No.
181) this difficulty has been escaped by the fact that the boulders of
granite out of which they are hewn were found lying free on the shore;
but at Ellora, no insulated rock being available, a pit was dug around
the temple in the sloping side of the hill, about 100 ft. deep at its
inmost side, and half that height at the entrance or gopura, the floor
of the pit being 150 ft. wide and 270 ft. in length. In the centre of
this rectangular court stands the temple, as shown in the preceding plan
(Woodcut No. 186), consisting of a vimana, between 80 ft. and 90 ft. in
height, preceded by a large square porch, supported by sixteen columns
(owing probably to the immense weight to be borne); before this stands a
detached porch, reached by a bridge; and in front of all stands the
gateway, which is in like manner connected with the last porch by a
bridge, the whole being cut out of the native rock. Besides these there
are two pillars or deepdans (literally lamp-posts) left standing on each
side of the detached porch, and two elephants about the size of life.
All round the court there is a peristylar cloister with cells, and some
halls not shown in the plan, which give to the whole a complexity, and
at the same time a completeness, which never fail to strike the
beholder with astonishment and awe.
As will be seen from the view (Woodcut No. 187) the outline of the
vimana is at first sight very similar to that of the raths at
Mahavellipore, but on closer inspection we find everything so modified
at Ellora as to make up a perfect and well understood design. The vimana
with its cells, and the porch in front of it with its side cells, make a
complete Hindu temple such as are found in hundreds in southern India,
and instead of the simulated cells that surround the hall in the Madras
example, they again become realities, but used for widely different
purposes. Instead of being the simulated residences of priests, the five
or rather seven cells that surround the central object here are each
devoted to a separate divinity of the Hindu Pantheon, and group most
pleasingly with the central vimana. It is, however, so far as is now
known, the last reminiscence of this Buddhist arrangement in Hindu
architecture; after the year 1000 even these cells disappear or become
independent erections, wholly separated from the temple itself.
Public-domain text, read in full here on John Shaqi.
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