Caesar, Julius; Rome -- History -- Republic, 265-30 B.C.
In these triumphal processions, every thing was borne in exhibition
which could serve as a symbol of the conquered country or a trophy of
victory, Flags and banners taken from the enemy; vessels of gold and
silver, and other treasures, loaded in vans; wretched captives conveyed
in open carriages or marching sorrowfully on foot, and destined, some of
them, to public execution when the ceremony of the triumph was ended;
displays of arms, and implements, and dresses, and all else which might
serve to give the Roman crowd an idea of the customs and usages of the
remote and conquered nations; the animals they used, caparisoned in the
manner in which they used them: these, and a thousand other trophies
and emblems, were brought into the line to excite the admiration of the
crowd, and to add to the gorgeousness of the spectacle. In fact, it was
always a great object of solicitude and exertion with all the Roman
generals, when on distant and dangerous expeditions, to possess
themselves of every possible prize in the progress of their campaign
which could aid in adding splendor to the triumph which was to
signalize its end.
[Sidenote: Banners and paintings.]
In these triumphs of Caesar, a young sister of Cleopatra was in the line
of the Egyptian procession. In that devoted to Asia Minor was a great
banner containing the words already referred to, Veni, Vidi, Vici. There
were great paintings, too, borne aloft, representing battles and other
striking scenes. Of course, all Rome was in the highest state of
excitement during the days of the exhibition of this pageantry. The
whole surrounding country flocked to the capital to witness it, and
Caesar's greatness and glory were signalized in the most conspicuous
manner to all mankind.
[Sidenote: Public entertainments.]
[Sidenote: Various spectacles and amusements.]
[Sidenote: Naval combats.]
Public-domain text, read in full here on John Shaqi.
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