Taking these data, we may fix the reigns of Louis XV. and Louis XVI. as the
period when point d'Argentan was at its highest prosperity. It appears in
the inventories of the personages of that time; most largely in the
accounts of Madame du Barry (from 1769 to 1773), who patronized Argentan
equally with point d'Angleterre and point à l'aiguille. In 1772, she pays
5,740 francs for a complete garniture. Lappets, flounces, engageantes,
collerettes, aunages, fichus, are all supplied to her of this costly
fabric.[577]
One spécialité in the Argentan point is the "bride picotée," a remnant,
perhaps, of the early Venetian teaching. It consists of the six-sided
button-hole bride, fringed with a little row of three or four picots or
pearls round each side. It was also called "bride épinglée," because pins
were pricked in the parchment pattern, to form these picots or boucles
(loops) on; hence it was sometimes styled "bride bouclée."[578] {208}The
"écaille de poisson" réseau was also much used at Alençon and Argentan.
The manner of making "bride picotée" is entirely lost. Attempts were made
to recover the art some years since (1869), and an old workwoman was found
who had made it in her girlhood, but she proved incapable of bringing the
stitch back to her memory, and the project was given up.[579]
Point d'Argentan disappeared, and was re-established in 1708; but though a
few specimens were produced at the Exhibition of Industry in 1808, the
industry died out in 1810.[580] It was again revived with some success by
M. M. Lefébure in 1874. In January 1874, with the assistance of the mayor,
he made a search in the greniers of the Hôtel Dieu, and discovered three
specimens of point d'Argentan in progress on the parchment patterns. One
was of bold pattern with the "grande bride" ground, evidently a man's
ruffle; the other had the barette or bride ground of point de France; the
third picotée, showing that the three descriptions of lace were made
contemporaneously at Argentan.
The author of a little pamphlet on Argentan, M. Eugène[581] de Lonlay,
remembers having seen in his youth in the Holy week, in the churches of St.
Martin and St. Germain, the statues of the apostles covered from head to
foot with this priceless point.
Argentan is now much made at Burano. Plate LVI. illustrates one of their
fine reproductions.
PLATE LVII.
[Illustration: FRENCH. POINT D'ARGENTAN.--Eighteenth century. Period Louis
XV. Needle-point borders. Both these have the hexagonal ground of the
genre "Argentan." The upper one is chiefly filled in with the "oeil de
perdrix" or "réseau rosacé." Width, 3-3/8 in. The lower one has been
pieced together. Width, 7 in.
Victoria and Albert Museum.]
_To face page 208._
{209}CHAPTER XV.
ISLE DE FRANCE.--PARIS (DÉP. SEINE).
"Quelle heure est-il?
Passé midi.
Qui vous l'a dit?
Une petite souris.
Que fait-elle?
De la dentelle.
Pour qui?
La reine de Paris."--_Old Nursery Song._
Public-domain text, read in full here on John Shaqi.
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