"In the evenings eighteen girls worked by one tallow candle, value one
penny; the 'candle-stool' stood about as high as an ordinary table with
four legs. In the middle of this was what was known as the 'pole-board,'
with six holes in a circle and one in the centre. In the centre hole was a
long stick with a socket for the candle at one end and peg-holes through
the sides, so that it could be raised or lowered at will. In the other six
holes were placed pieces of wood hollowed out like a cup, and into each of
these was placed a bottle made of very thin glass and filled with
water.[1125] These bottles acted as strong condensers or lenses, and the
eighteen girls sat round the table, three to each bottle, their stools
being upon different levels, the highest nearest the bottle, which threw
the light down upon the work like a burning-glass. In the day-time as many
as thirty girls, and sometimes boys, would work in a room about twelve feet
square, with two windows, and in the winter they could have no fire for
lack of room." The makers of the best laces would sit nearest the light,
and so on in order of merit.
A "down" in Northamptonshire is the parchment {391}pattern, generally about
twelve inches long. In Buckinghamshire they have two "eachs" ten inches
long, and putting one in front of the other, so work round the pillow,
which to many commends itself as a better plan than having one "down" and
moving the lace back on reaching the end of the "down." The pillow is a
hard round cushion, stuffed with straw and well hammered to make it hard
for the bobbins to rattle on. It is then covered with the butcher-blue
"pillow-cloth" all over; a "lace cloth" of the same, for the lace to lie
on, goes over the top; then follows the lace-paper to pin it in as made,
covered with the "lacing," which is a strip of bright print. The "hinder"
of blue linen covers up all behind, the "worker" keeping the parchment
clean in front where the hands rest. A bobbin bag and scissors are then
tied on one side and a pin-cushion on the top; a cloth "heller" is thrown
over the whole when not used.
The pins are fine brass ones made on purpose;[1126] the bobbins are of
various sizes and makes--very fine for fine lace, heavier and twisted round
with strips of brass for coarser laces and gimp for the threads, which are
the tracing ones, dividing the different characters of patterns; some are
of bone with words tattoed round in columns. The usual bobbin is plain
turned wood, with coloured beads at the end for the necessary weight. The
number varies from twenty to five hundred, according to the width of the
pattern.[1127]
Public-domain text, read in full here on John Shaqi.
Reviews
Reviews
No reviews yet
Be the first to share your thoughts on this work.
Elsewhere in the archive
Join the Discussion
Join the discussion
Sign in to leave a comment or review.
Sign InorCreate an account