The account of the seizure made by the Marquis de Nesmond of a vessel laden
with Flanders lace, bound for England, in 1678[331] will afford some idea
of the extent to which this smuggling was carried on. The cargo comprised
744,953 ells of lace, without enumerating handkerchiefs, collars, fichus,
aprons, petticoats, fans, gloves, etc., all of the same material. From this
period "point de Bruxelles" became more and more unknown, and was at last
effaced by "point d'Angleterre,"[332] a name it still retains.[333]
On consulting, however, the English Royal Inventories of {118}the time, we
find no mention of "English point." In France, on the other hand, the
fashion books of the day[334] commend to the notice of the reader, "Corsets
chamarrés de point d'Angleterre," with vests, gloves, and cravats trimmed
with the same material. Among the effects of Madame de Simiane, dated 1681,
were many articles of English point;[335] and Monseigneur the Archbishop of
Bourges, who died some few years later, had two cambric toilettes trimmed
with the same.[336]
The finest Brussels lace can only be made in the city itself. Antwerp,
Ghent, and other localities have in vain tried to compete with the capital.
The little town of Binche, long of lace-making celebrity, has been the most
successful. Binche, however, now only makes pillow flowers (point plat),
and those of an inferior quality.
When, in 1756, Mrs. Calderwood visited the Béguinage at Brussels, she wrote
to a friend describing the lace-making. "A part of their work is grounding
lace; the manufacture is very curious. One person works the flowers. They
are all sold separate, and you will see a very pretty sprig, for which the
worker only gets twelve sous. The masters who have all these people
employed give them the thread to make them; this they do according to a
pattern, and give them out to be grounded; after this they give them to a
third hand, who 'hearts' all the flowers with the open work. That is what
makes this lace so much dearer than the Mechlin, which is wrought all at
once."[337]
The thread used in Brussels lace is of extraordinary fineness. It is made
of flax grown in Brabant, at Hal and Rebecq-Rognon.[338] The finest quality
is spun in dark underground rooms, for contact with the dry air causes the
thread to break, so fine is it as almost to escape the sight. The feel of
the thread as it passes through the fingers is the surest guide. The
thread-spinner closely examines every inch drawn from her distaff, and when
any inequality occurs stops her wheel to repair the mischief. Every
artificial help is given to the eye. A background of dark paper is placed
to throw out the thread, and the room so arranged as to admit one single
ray of light upon the work. The life of a Flemish thread-spinner is
unhealthy, and her work requires the greatest skill; her wages are
therefore proportionably high.
[Illustration: Fig. 57.
BRUSSELS NEEDLE-POINT.
_To face page 118._]
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