History of Modern Philosophy: From Nicolas of Cusa to the Present TimeFalckenberg, Richard
Philosophy
History of Modern Philosophy: From Nicolas of Cusa to the Present Time
Falckenberg, Richard
Philosophy, Modern -- History
In discussing the representation in which the being and activity of the
monads consist, we must not think directly of the conscious activity of
the human soul. Representation has in Leibnitz a wider meaning than that
usually associated with the word. The distinction, which has become of the
first importance for psychology, between mere representation and conscious
representation, or between perception and apperception, may be best
explained by the example of the sound of the waves. The roar which we
perceive in the vicinity of the sea-beach is composed of the numerous
sounds of the single waves. Each single sound is of itself too small to be
heard; nevertheless it must make an impression on us, if only a small one,
since otherwise their total--as a sum of mere nothings--could not be
heard. The sensation which the motion of the single wave causes is a weak,
confused, unconscious, infinitesimal perception (_petite, insensible
perception_), which must be combined with many similar minute sensations
in order to become strong and distinct, or to rise above the threshold of
consciousness. The sound of the single wave is felt, but not distinguished,
is perceived, but not apperceived. These obscure states of unconscious
representation, which are present in the mind of man along with states of
clear consciousness, make up, in the lowest grade of existence, the whole
life of the monad. There are beings which never rise above the condition of
deep sleep or stupor.
In conformity with this more inclusive meaning, perception is defined as
the representation of the external in the internal, of multiplicity in
unity _(representatio multitudinis in unitate_). The representing being,
without prejudice to its simplicity, bears in itself a multitude of
relations to external things. What now is the manifold, which is expressed,
perceived, or represented, in the unit, the monad? It is the whole world.
Every monad represents all others in itself, is a concentrated all, the
universe in miniature. Each individual contains an infinity in itself
_(substantia infinitas actiones simul exercet_) and a supreme intelligence,
for which every obscure idea would at once become distinct, would be able
to read in a single monad the whole universe and its history--all that is,
has been, or will be; for the past has left its traces behind it, and
the future will bring nothing not founded in the present: the monad is
freighted with the past and bears the future in its bosom. Every monad is
thus a mirror of the universe,[1] but a living mirror (_miror vivant de
l'univers_), which generates the images of things by its own activity
or develops them from inner germs, without experiencing influences from
without. The monad has no windows through which anything could pass in or
out, but in its action is dependent only on God and on itself.
Public-domain text, read in full here on John Shaqi.
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