A sarcophagus, on which the relief is low, has been described and figured by Di Cesnola,[726] who discovered it in the same locality as the sculpture which has just engaged our attention. The sarcophagus, which had a lid guarded by lions at the four corners, was ornamented at both ends and along both sides by reliefs. The four scenes depicted appear to be distinct and separate. At one end Perseus, having cut off Medusa’s head and placed it in his wallet, which he carries behind him by means of a stick passed over his shoulder, departs homewards followed by his dog. Medusa’s body, though sunk upon one knee, is still upright, and from the bleeding neck there spring the forms of Chrysaor and Pegasus. At the opposite end of the tomb is a biga drawn by two horses, and containing two persons, the charioteer and the owner, who is represented as bearded, and rests his hand upon the chariot-rim. The horse on the right hand, which can alone be distinctly seen, is well proportioned and spirited. He is impatient and is held in by the driver, and prevented from proceeding at more than a foot’s pace. On the longer sides are a hunting scene, and a banqueting scene. In a wooded country, indicated by three tall trees, a party, consisting of five individuals, engages in the pleasures of the chase. Four of the five are accoutred like Greek soldiers; they wear crested helmets, cuirasses, belts, and a short tunic ending in a fringe: the arms which they carry are a spear and a round buckler or shield. The fifth person is an archer, and has a lighter equipment; he wears a cloth about his loins, a short tunic, and a round cap on his head. The design forms itself into two groups. On the right two of the spearmen are engaged with a wild boar, which they are wounding with their lances; on the left the two other spearmen and the archer are attacking a wild bull. In the middle a cock separates the two groups, while at the two extremities two animal forms, a horse grazing and a dog trying to make out a scent, balance each other. The fourth side of the sarcophagus presents us with a banqueting scene. On four couches, much like the Assyrian,[727] are arranged the banqueters. At the extreme right the couch is occupied by a single person, who has a long beard and extends a wine-cup towards an attendant, a naked youth, who is advancing towards him with a wine-jug in one hand, and a ladle or strainer in the other. The three other couches are occupied respectively by three couples, each comprising a male and a female. The male figure reclines in the usual attitude, half sitting and half lying, with the left arm supported on two pillows;[728] the female sits on the edge of the couch, with her feet upon a footstool. The males hold wine-cups; of the females, one plays upon the lyre, while the two others fondle with one hand their lover or husband. A fourth female figure, erect in the middle between the second and third couches, plays the double flute for