We have now to return to the medallion which forms the centre of the
cup. Within a circle of pearls or beads, similar to that separating the
two zones, is a round space about two inches in diameter, divided into
two compartments by a horizontal line. In the upper part are contained
three human figures, and the figure of a dog. At the extreme left is a
prisoner with a beard and long hair that falls upon his shoulders. His
entire body is naked. Behind him his two arms are brought together, tied
by a cord, and then firmly attached to a post. His knees are bent,
but do not reach the ground, and his feet are placed with their soles
uppermost against the post at its base. The attitude is one which
implies extreme suffering.[784] In front of the prisoner, occupying the
centre of the medallion, is the main figure of the upper compartment, a
warrior, armed with a spear, who pursues the third figure, a fugitive,
and seems to be thrusting his spear into the man’s back. Both have long
hair, but are beardless; and wear the _shenti_ for their sole garment.
Between the legs of the main figure is a dog of the jackal kind, which
has his teeth fixed in the heels of the fugitive, and arrests his
flight. Below, in the second compartment, are two figures only, a man
and a dog. The man is prostrate, and seems to be crawling along the
ground, the dog stands partly on him, and appears to be biting his left
heel. The interpretation which M. Clermont-Ganneau gives to this entire
scene lacks the probability which attaches to his explanation of the
outer scene. He suggests that the prisoner is the hunter of the other
scene, plundered and bound by his charioteer, who is hastening away,
when he is seized by his master’s dog and arrested in his flight.
The dog gnaws off his right foot and then attacks the left, while the
fugitive, in order to escape his tormentor, has to crawl along
the ground. But M. Clermont-Ganneau himself distrusts his
interpretation,[785] while he has convinced no other scholar of its
soundness. Judicious critics will be content to wait the further
researches which he promises, whereby additional light may perhaps be
thrown on this obscure matter.
Public-domain text, read in full here on John Shaqi.
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