In her trade with the nations who peopled the coasts of the
Mediterranean, the Propontis, and the Black Sea, Phoenicia aimed
primarily at disposing to advantage of her own commodities, secondarily
at making a profit in commodities which she had obtained from other
countries, and thirdly on obtaining commodities which she might dispose
of to advantage elsewhere. Where the nations were uncivilised, or in a
low condition of civilisation, she looked to making a large profit by
furnishing them at a cheap rate with all the simplest conveniences of
life, with their pottery, their implements and utensils, their clothes,
their arms, the ornaments of their persons and of their houses.
Underselling the native producers, she soon obtained a monopoly of this
kind of trade, drove the native products out of the market, and imposed
her own instead, much as the manufacturers of Manchester, Birmingham,
and the Potteries impose their calicoes, their cutlery, and their
earthenware on the savages of Africa and Polynesia. Where culture was
more advanced, as in Greece and parts of Italy,[998] she looked to
introduce, and no doubt succeeded in introducing, the best of her own
productions, fabrics of crimson, violet, and purple, painted vases,
embossed pateræ, necklaces, bracelets, rings--“cunning work” of all
manner of kinds[999]--mirrors, glass vessels, and smelling-bottles. At
the same time she also disposed at a profit of many of the wares that
she had imported from foreign countries, which were advanced in certain
branches of art, as Egypt, Babylonia, Assyria, possibly India. The
muslins and ivory of Hindustan, the shawls of Kashmir, the carpets of
Babylon, the spices of Araby the Blest, the pearls of the Persian Gulf,
the faïence and the papyrus of Egypt, would be readily taken by the more
civilised of the Western nations, who would be prepared to pay a high
price for them. They would pay for them partly, no doubt, in silver and
gold, but to some extent also in their own manufactured commodities,
Attica in her ceramic products, Corinth in her “brass,” Etruria in her
candelabra and engraved mirrors,[9100] Argos in her highly elaborated
ornaments.[9101] Or, in some cases, they might make return out of the
store wherewith nature had provided them, Euboea rendering her copper,
the Peloponnese her “purple,” Crete her timber, the Cyrenaica its
silphium.
Public-domain text, read in full here on John Shaqi.
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