Both the great branches of the Protestant church had always highly prized their rich hymns, of which there were eighty thousand in existence. Some of the finest lyrics of any tongue were among the number. The sacred songs now used in our American churches are not solely of English origin, or of our own production; but many of the sweetest of them are free versions from the German hymnists. The Rationalists, not being content with their present laurels, began in great earnestness to despoil the hymn-books of the Protestant church of everything savoring of inspiration or of any of the vital doctrines already rejected. They looked upon those songs of devotion as composed during the iron age of truth, and therefore unfit to be sung by the congregations whose lot had been cast in the golden period. Should these verses continue to be sung by the church, they would remain a strong tie holding the masses to the pitiable days of effete orthodoxy. The Rationalists reasoned correctly, for, in Germany, music is a power which has at times defied the authority of popes and kings. It was, therefore, with a sort of savage satisfaction that these destroyers of truth began the work of denuding those earnest and evangelical hymns of all their vigor and nationality for the purpose of placing in their stead cold and heartless moral verses. Klopstock commenced the work of alteration, though with a good intention, by remodeling twenty-nine old church hymns. Cramer and Schlegel followed in his steps. Soon the devout and animating songs of Gellert, Bach, and their brother minstrels were despoiled of the spirit that had ever made them dear to the popular heart and familiar to the common ear. By and by, everybody who could make a tolerable rhyme seized some of the master-pieces of hymnology, and set them up on stiff philosophical stilts. New hymn books were introduced into many of the churches, and the people sang Rationalism. General superintendents, consistorial counselors, and court preachers, rivaled each other in preparing a new volume of religious songs for the territory under their charge. Individual towns and churches had their own selections. Some portions of Germany, especially Wuertemberg, refused awhile to give up the old hymns, and certain writers of the sterling character of the poet Schubert, raised a loud and indignant voice against the wretched vandalism. But they could accomplish nothing, and the old hymns suffered that fearful mortality which the Rationalists had by this time become so able to inflict on almost everything of value. It is a lamentable scene to see those reckless doubters sit down with scalpel in hand to dissect as pure and inspiring hymns as are to be found in the devotional literature of any nation. For a good sacred song is only complete just as its author finishes it. If an authorized hymn committee attempt to alter it, they fill it at once with icicles. They can no more improve it