the world they lived in, the faith of "primitive shepherds praising their gods as they lead their flocks to the pasture." The Indians had preserved, longer than other peoples, the gift of recognising deity in nature; and the primitive beliefs of mankind survive here in something like their first integrity, while elsewhere they were broken up and confused. [Footnote 1: _Origin of Religion_, p. 135.] [Footnote 2: _Sanscrit Texts_, vol. v. p. 4.] [Footnote 3: According to Mr. Max Mueller the Mantra or hymn period is to be placed 1000-800 B.C.; but other scholars place it earlier.] 2. It is Advanced.--On the other hand, it is urged that the society in which the hymns arose was not a primitive one, but one considerably advanced both in arts and institutions. The Rishis (seers), who composed them, belonged to families who cultivated such an art; and the hymns were no artless outpourings of childlike emotion, but were written on an elaborate metrical system for a definite purpose, namely, to form part of great acts of worship. As for the absence from them of savage myths and of immoral stories of the gods, this fact does not prove that such things were not known to the people at the time, but only that the poets did not put them in their hymns. Mr. Lang has collected the savage myths, similar to those of other peoples in various parts of the world, which are found in Indian literature of a later date, and has also shown that the hymns themselves were not quite ignorant of some of them. The Indians knew the myth of the marriage of heaven and earth, with the consequent birth of the gods. They had the story of the deluge. They had the still more primitive story of the raising up of the earth from the bottom of the sea. They had various myths of old conflicts of the gods, and of the production of the earth and all the men in it from the dissection of an immense prototypal human monster. Men were of different castes, they held, because they came from different portions of Purusha's body when it was cut up. Many stories are to be found in Indian literature which when found elsewhere are judged to be products of savage imagination, and the fact that the Rigveda ignores some of them and refines others, simply shows that the authors of that collection were on a higher level than their people in point of cultivation and of piety, as the psalmists and the prophets of Israel were in advance of theirs. We are led, accordingly, towards the conclusion that during the period when the hymns were written those who took charge of the development of worship in India were seeking to draw away attention from the more superstitious and childish elements of religion, and to bring to the front the pure and lofty intercourse man could have with the good gods. Bad gods are not cultivated; if there are foolish stories about the gods, they are not repeated, everything dark and terrible, as well as everything irrational, is removed from the working religion.