History of Roman Literature from its Earliest Period to the Augustan Age. Vol. IDunlop, John Colin
History
History of Roman Literature from its Earliest Period to the Augustan Age. Vol. I
Dunlop, John Colin
Latin literature -- History and criticism
With regard to the characters, the one which gives title to the play is,
as already mentioned, quite extravagant; and no modern reader can enjoy
the rodomontade of the Miles Gloriosus, or his credulity in listening with
satisfaction to such monstrous tales of his military renown and amorous
success. Flattery for potential qualities may be swallowed to any extent,
and a vain man may wish that others should be persuaded that he had
performed actions of which he is incapable; but no man can himself hearken
with pleasure to falsehoods which he knows to be such, and which in the
recital are not intended to impose upon others. Pleusides, the lover in
this drama, is totally insipid and uninteresting, and we are not impressed
with a very favourable opinion of his mistress from the account which is
given of her near the beginning of the play:—
“Os habet, linguam, perfidiam, malitiam, atque audaciam,
Confidentiam, confirmitatem, fraudolentiam:
Qui arguet se, eum contra vincat jurejurando suo.
Domi habet animum falsiloquum, falsificum, falsijurium.”
The principal character, the one which is best supported, and which is
indeed sustained with considerable humour, is that of Periplectomenes, who
is an agreeable old man, distinguished by his frankness, jovial
disposition, and abhorrence of matrimony. There is one part of his
conduct, however, which I wish had been omitted, as it savours too much of
cunning, and reminds us too strongly of Ben Jonson’s Volpone. Talking of
his friends and relations, he says—
—— “Me ad se, ad prandium, ad cœnam vocant.
Ille miserrimum se retur, minimum qui misit mihi.
Illi inter se certant donis; ego hæc mecum mussito:
Bona mea inhiant: certatim dona mittunt et munera.”
I have often thought that the character of Durazzo, in Massinger’s
_Guardian_, was formed on that of Periplectomenes. Like him, Durazzo is a
jovial old bachelor, who aids his nephew Caldoro in his amour with
Calista. When the lover in Plautus apologizes to his friend for having
engaged him in an enterprize so unsuitable to his years, he replies—
“Quid ais tu? itane tibi ego videor oppido Acheronticus,
Tam capularis; tamne tibi diu vita vivere?
Nam equidem haud sum annos natus præter quinquaginta et quatuor,
Clare oculis video, pernix sum manibus, sum pedes mobilis.”
In like manner Durazzo exclaims—
“My age! do not use
That word again; if you do, I shall grow young,
And swinge you soundly. I would have you know,
Though I write fifty odd, I do not carry
An almanack in my bones to predeclare
What weather we shall have; nor do I kneel
In adoration at the spring, and fall
Before my doctor.” ——
Periplectomenes boasts of his convivial talents, as also of his amorous
disposition, and his excellence at various exercises—
“Et ego amoris aliquantum habeo, humorisque meo etiam in corpore:
Nequedum exarui ex amœnis rebus et voluptariis.
* * * *
Tum ad saltandum non Cinædus magis usquam saltat quam ego.”
Public-domain text, read in full here on John Shaqi.
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