History of Roman Literature from its Earliest Period to the Augustan Age. Vol. IDunlop, John Colin
History
History of Roman Literature from its Earliest Period to the Augustan Age. Vol. I
Dunlop, John Colin
Latin literature -- History and criticism
who was originally a slave, acquired this name with his freedom, having
been at first called by the servile appellation of Statius(286). He was a
native of Milan, and flourished towards the end of the sixth century of
Rome, having survived Ennius, whose intimate friend he was, about one
year, which places his death in 586. We learn from the prologue to the
_Hecyra_ of Terence, spoken in the person of Ambivius, the principal
actor, or rather manager of the theatre, that, when he first brought out
the plays of Cæcilius, some were hissed off the stage, and others hardly
stood their ground; but knowing the fluctuating fortunes of dramatic
exhibitions, he had again attempted to bring them forward. His
perseverance having obtained for them a full and unprejudiced hearing,
they failed not to please; and this success excited the author to new
efforts in the poetic art, which he had nearly abandoned in a fit of
despondency. The comedies of Cæcilius, which amounted to thirty, are all
lost, so that our opinion of their merits can be formed only from the
criticisms of those Latin authors who wrote before they had perished.
Cicero blames the improprieties of his style and language(287). From
Horace’s Epistle to Augustus, we may collect what was the popular
sentiment concerning Cæcilius—
“Vincere Cæcilius gravitate—Terentius arte.”
It is not easy to see how a comic author could be more grave than Terence;
and the quality applied to a writer of this cast appears of rather
difficult interpretation. But the opinion which had been long before given
by Varro affords a sort of commentary on Horace’s expression—“In
argumentis,” says he, “Cæcilius palmam poscit; in ethesi Terentius.” By
_gravitas_, therefore, as applied to Cæcilius, we may properly enough
understand the grave and affecting plots of his comedies; which is farther
confirmed by what Varro elsewhere observes of him—“_Pathe_ Trabea,
Attilius, et Cæcilius facile moverunt.” Velleius Paterculus joins him with
Terence and Afranius, whom he reckons the most excellent comic writers of
Rome—“Dulcesque Latini leporis facetiæ per Cæcilium, Terentiumque, et
Afranium, sub pari ætate, nituerunt(288).”
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