History of Roman Literature from its Earliest Period to the Augustan Age. Vol. IDunlop, John Colin
History
History of Roman Literature from its Earliest Period to the Augustan Age. Vol. I
Dunlop, John Colin
Latin literature -- History and criticism
This play has been imitated in the _Andrienne_ of Baron, the celebrated
French actor. The Latin names are preserved in the _dramatis personæ_, and
the first, second, and fifth acts, have been nearly translated from
Terence. In the fourth, however, instead of the marriage being interrupted
by Davus’s stratagem, Glycerium, hearing a report of the falsehood of her
lover, rushes on the stage, throws herself at the feet of Chremes, and
prevails on him to break off the intended match between his daughter and
Pamphilus. But, though the incidents are nearly the same, the dialogue is
ill written, and is very remote from the graceful ease and simplicity of
Terence.
Steele’s _Conscious Lovers_ is the best imitation of the _Andria_. The
English play, it will be remembered, commences in a similar manner with
the Latin comedy, by Sir John Bevil relating to an old servant, that he
had discovered the love of his son for Indiana, an unknown and stranger
girl, by his behaviour at a masquerade. The report of this attachment
nearly breaks off an intended marriage between young Bevil and Lucinda,
Sealand’s daughter. Young Bevil relieves the mind of Myrtle, the lover of
Lucinda, by assuring him that he is utterly averse to the match. Still,
however, he pretends to his father, that he is ready to comply with his
wishes; and, meanwhile, writes to Lucinda, requesting that she would
refuse the offer of his hand. Myrtle, hearing of this correspondence
having taken place, without knowing its import, is so fired with jealousy
that he sends Bevil a challenge. Sealand, being still pressed by Sir John
to bestow his daughter in marriage, waits on Indiana, in order to discover
the precise nature of her relations with Bevil. She details to him her
story; and, on his alluding to the probability of the projected nuptials
being soon concluded, she tears off, in a transport of passion, a
bracelet, by which Sealand discovers, that she is a daughter whom he had
lost, and who, while proceeding to join him in the East Indies, had been
carried into a French harbour, where she first met with young Bevil.
Public-domain text, read in full here on John Shaqi.
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