History of Roman Literature from its Earliest Period to the Augustan Age. Vol. IDunlop, John Colin
History
History of Roman Literature from its Earliest Period to the Augustan Age. Vol. I
Dunlop, John Colin
Latin literature -- History and criticism
While Plautus, Cæcilius, Afranius, and Terence, raised the comic drama to
high perfection and celebrity, Pacuvius and Attius attempted, with
considerable success, the noblest subjects of the Greek tragedies.
PACUVIUS,
who was the nephew of Ennius(328), by a sister of that poet, was born at
Brundusium, in the year 534. At Rome he became intimately acquainted with
Lælius, who, in Cicero’s treatise _De Amicitiâ_, calls Pacuvius his host
and friend: He also enjoyed, like Terence, the intimacy of Scipio
Africanus; but he did not profit so much as the comic writer by his
acquaintance with these illustrious Romans for the improvement of his
style. There is an idle story, that Pacuvius had three wives, all of whom
successively hanged themselves on the same tree; and that lamenting this
to Attius, who was married, he begged for a slip of it to plant in his own
garden(329); an anecdote which has been very seriously confuted by Annibal
di Leo, in his learned Memoir on Pacuvius. This poet also employed himself
in painting: he was one of the first of the Romans who attained any degree
of eminence in that elegant art, and particularly distinguished himself by
the picture which he executed for the temple of Hercules, in the _Forum
Boarium_(330). He published his last piece at the age of eighty(331);
after which, being oppressed with old age, and afflicted with perpetual
bodily illness, he retired, for the enjoyment of its soft air and mild
winters, to Tarentum(332), where he died, having nearly completed his
ninetieth year(333). An elegant epitaph, supposed to have been written by
himself, is quoted, with much commendation, by Aulus Gellius, who calls it
_verecundissimum et purissimum_(334). It appears to have been inscribed on
a tombstone which stood by the side of a public road, according to a
custom of the Romans, who placed their monuments near highways, that the
spot where their remains were deposited might attract observation, and the
departed spirit receive the valediction of passing travellers:
“Adolescens, tametsi properas, hoc te saxum rogat,
Uti ad se aspicias; deinde, quod scriptum est, legas.
Hic sunt poetæ Marcei Pacuviei sita
Ossa. Hoc volebam nescius ne esses—Vale(335).”
Public-domain text, read in full here on John Shaqi.
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