The infinite variety of entertaining anecdotes with which the series of pleadings against Verres abounds—the works of art which are commemorated—the interesting topographical descriptions—the insight afforded into the laws and manners of the ancient Sicilians—the astonishing profusion of ironical sallies, all conspire to dazzle the imagination and rivet the attention of the reader; yet there is something in the idea that they were not actually delivered, which detracts from the effect of circumstances which would otherwise heighten our feelings. It appears to us even preposterous to read, in the commencement of the second oration, of a report having been spread that Verres was to abandon his defence, but that there he sat braving his accusers and judges with his characteristic impudence. The exclamations on his effrontery, and the adjurations of the judges, lose their force, when we cannot help recollecting that before one word of all this could be pronounced, the person against whom they were directed as present had sneaked off into voluntary exile. Whatever effect this recollection may have had on the ancients, who regarded oratory as an art, and an oration as an elaborate composition, nothing can be more grating or offensive to the taste and feelings of a modern reader, whose idea of eloquence is that of something natural, heart-felt, inartificial, and extemporaneous. The Sicilians, though they could scarcely have been satisfied with the issue of the trial, appear to have been sufficiently sensible of Cicero’s great exertions in their behalf. Blainville, in his Travels, mentions, that while at Grotta Ferrata, a convent built on the ruins of Cicero’s Tusculan Villa, he had been shown a silver medal, unquestionably antique, struck by the Sicilians in gratitude for his impeachment of Verres. One side exhibits a head of Cicero, crowned with laurel, with the legend _M. T. Ciceroni_—on the reverse, there is the representation of three legs extended in a triangular position, in the form of the three great capes or promontories of Sicily, with the motto,—“_Prostrato Verre Trinacria_.” _Pro Fonteio_. It is much to be regretted, that the oration for Fonteius, the next which Cicero delivered, has descended to us incomplete. It was the defence of an unpopular governor, accused of oppression by the province intrusted to his administration; and, as such, would have formed an interesting contrast to the accusation of Verres. _Pro Cæcina_. This was a mere question of civil right, turning on the effect of a Prætorian edict.