This poet was a native of Antioch, and, having come to Italy in early youth, was rewarded for his learning and genius with the friendship of the first men in the state, and with the citizenship of Heraclea, a confederate and enfranchised town of Magna Græcia. A few years afterwards, a law was enacted, conferring the rights of Roman citizens on all who had been admitted to the freedom of federate states, provided they had a settlement in Italy at the time when the law was passed, and had asserted the privilege before the Prætor within sixty days from the period at which it was promulgated. After Archias had enjoyed the benefit of this law for more than twenty years, his claims were called in question by one Gracchus, who now attempted to drive him from the city, under the enactment expelling all foreigners who usurped, without due title, the name and attributes of Roman citizens. The loss of records, and some other circumstances, having thrown doubts on the legal right of his client, Cicero chiefly enlarged on the dignity of literature and poetry, and the various accomplishments of Archias, which gave him so just a claim to the privileges he enjoyed. He beautifully describes the influence which study and a love of letters had exercised on his own character and conduct. He had thence imbibed the principle, that glory and virtue should be the darling objects of life, and that to attain these, all difficulties, or even dangers, were to be despised. But, of all names dear to literature and genius, that of poet was the most sacred: hence it would be an extreme of disgrace and profanation, to reject a bard who had employed the utmost efforts of his art to make Rome immortal by his muse, and had possessed such prevailing power as to touch with pleasure even the stubborn and intractable soul of Marius. The whole oration is interspersed with beautiful maxims and sentences, which have been quoted with delight in all ages. There appears in it, however, perhaps too much, and certainly more than in the other orations, of what Lord Monboddo calls _concinnity_. “We have in it,” observes he, speaking of this oration, “strings of antitheses, the figure of like endings, and a perfect similarity of the structure, both as to the grammatical form of the words, and even the number of them(326).” The whole, too, is written in a style of exaggeration and immoderate praise. The orator talks of the poet Archias, as if the whole glory of Rome, and salvation of the commonwealth, depended on his poetical productions, and as if the smallest injury offered to him would render the name of Rome execrable and infamous in all succeeding generations.