With Varro and Nigidius Figulus, may be classed Tiro, the celebrated freedman of Cicero, and constant assistant in all his literary pursuits. He wrote many books on the use and formation of the Latin language, and others on miscellaneous subjects, which he denominated _Pandectas_(106), as comprehending every sort of literary topic. Quintus Cornificius, the elder, was also a very general scholar. He composed a curious treatise on the etymology of the names of things in heaven and earth, in which he discovered great knowledge, both of Roman antiquities, and the most recondite Grecian literature. It was here he introduced an explication of Homer’s dark fable, where Jupiter and all the gods proceed to feast for twelve days in Ethiopia. The work was written in 709, during the time of Cæsar’s last expedition to Spain, and was probably intended as a supplement to Varro’s treatise on a similar topic. HISTORY. From our supposing that those things which affected our ancestors may affect us, and that those which affect us must affect posterity, we become fond of collecting memorials of prior events, and also of preserving the remembrance of incidents which have occurred in our own age. The historic passion, if it may be so termed, thus naturally divides itself into two desires—that of indulging our own curiosity, and of relating what has occurred to ourselves or our contemporaries. Monuments accordingly have been raised, and rude hymns composed, for this purpose, by people who had scarcely acquired the use of letters. Among civilized nations, the passion grows in proportion to the means of gratifying it, and the force of example comes to be so strongly felt, that its power and influence are soon historically employed. The Romans were, in all ages, particularly fond of giving instruction, by every sort of example. They placed the images of their ancestors in the Forum and the vestibules of their houses, so that these venerable forms everywhere met their eyes; and by recalling the glorious actions of the dead, excited the living to emulate their forefathers. The virtue of one generation was thus transfused, by the magic of example, into those by which it was succeeded, and the spirit of heroism was maintained through many ages of the republic— “Has olim virtus crevit Romana per artes: Namque foro in medio stabant spirantia signa Magnanimûm heroum; hîc Decios, magnosque Camillos Cernere erat: vivax heroum in imagine virtus, Invidiamque ipsis factura nepotibus, acri Urgebat stimulo Romanum in prælia robur(107).”