History of Roman Literature from its Earliest Period to the Augustan Age. Vol. IIDunlop, John Colin
History
History of Roman Literature from its Earliest Period to the Augustan Age. Vol. II
Dunlop, John Colin
Latin literature -- History and criticism
The introductory sketch of the genius and manners of Jugurtha is no less
able and spirited than the character of Catiline. We behold him, while
serving under Scipio, as brave, accomplished, and enterprizing; but imbued
with an ambition, which, being under no control of principle, hurried him
into its worst excesses, and rendered him ultimately perfidious and cruel.
The most singular part of his character was the mixture of boldness and
irresolution which it combined; but the lesson we receive from it, lies in
the miseries of that suspicion and that remorse which he had created in
his own mind by his atrocities, and which rendered him as wretched on the
throne, or at the head of his army, as in the dungeon where he terminated
his existence. The portraits of the other principal characters, who
figured in the Jugurthine War, are also well brought out. That of Marius,
in particular, is happily touched. His insatiable ambition is artfully
disguised under the mask of patriotism,—his cupidity and avarice are
concealed under that of martial simplicity and hardihood; but, though we
know from his subsequent career the hypocrisy of his pretensions, the
character of Marius is presented to us in a more favourable light than
that in which it can be viewed on a survey of his whole life. We see the
blunt and gallant soldier, and not that savage whose innate cruelty of
soul was just about to burst forth for the destruction of his countrymen.
In drawing the portrait of Sylla, the memorable rival of Marius, the
historian represents him also such as he appeared at that period, not such
as he afterwards proved himself to be. We behold him with pleasure as an
accomplished and subtle commander, eloquent in speech, and versatile in
resources; but there is no trace of the cold-blooded assassin, the tyrant,
buffoon, and usurper.
In general, Sallust’s painting of character is so strong, that we almost
foresee how each individual will conduct himself in the situation in which
he is placed. Tacitus attributes all the actions of men to policy,—to
refined, and sometimes imaginary views; but Sallust, more correctly,
discovers their chief springs in the passions and dispositions of
individuals. “Salluste,” says St Evremond, “donne autant au naturel, que
Tacite à la politique. Le plus grand soin du premier est de bien connoitre
le génie des hommes; les affaires viennent après naturellement, par des
actions peu recherchées de ces mêmes personnes qu’il a depeintes.”
Public-domain text, read in full here on John Shaqi.
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