History of Sculpture, Painting, and ArchitectureMemes, J. S. (John Smythe)
Philosophy
History of Sculpture, Painting, and Architecture
Memes, J. S. (John Smythe)
Art -- History
The contemporaries of Rubens were independent masters or disciples.
Among the former were Van Voss Strada, Miel Savary Seegers; among the
latter, Snyders, Jordains, Teniers, and especially Vandyke. Rather
later, lived Schwaneveldt in landscape, and Neef for interiors, &c.;
but the influence of the principles or precepts of Rubens animated
the whole of their efforts. In point of manner and subject, Teniers
and Vandyke may in some measure be considered as forming the extremes
of the Flemish schools, though in respect of merit they stand in the
first rank. Teniers, for instance, connects the Flemish with the Dutch
style, being more elevated in the general tone of his conceptions
and manner than the latter, while he has selected a less dignified
walk than Rubens. He has painted with exquisite truth, and very great
beauty of pencil, the customs, scenes, amusements, and character of his
countrymen. Vandyke, again, in the grace and dignity of his portraits,
in the intellectuality of his expression and composition, seems to
effect a junction between the common and broad nature of the native
taste, with the ideal of Italian art. The pictures painted by Vandyke
during the early period of his residence in England, are among the
finest specimens of portraiture. Here, indeed, in some respects, as the
clearness and transparency of his carnations, he is excelled only by
Titian,--in the graceful air of the heads, and beautiful drawing of
the extremities, he reminds us of Raphael,--while, to these qualities,
he has added a silvery tone of pencilling, which, more so than in any
other master, gives back the delicate and varied hues of real flesh
and skin. He has hardly succeeded in history, more, however, from want
of practice than genius; for his alleged want of fancy seems not so
apparent as has been supposed. In Vandyke, we find a most striking
proof that excellence in art is founded upon no abstract theory of the
ideal, but in selecting, and sedulously adhering to, some one view of
nature: hence--hence alone,
'The soft precision of the clear Vandyke.'
Public-domain text, read in full here on John Shaqi.
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