History of Sculpture, Painting, and ArchitectureMemes, J. S. (John Smythe)
Philosophy
History of Sculpture, Painting, and Architecture
Memes, J. S. (John Smythe)
Art -- History
Beyond these remarks it is not here necessary to trace the first origin
of Architecture. In this art are certainly to be detected the very
links of connexion, joining the knowledge of the descendants of Adam
with that of the families of Noah. We learn from Scripture, that soon
after the Flood, while yet the remembrance of that catastrophe was
fresh in the mind, the building of a city and a tower was commenced.
Such design could not have been entertained without some previous
model, or, at least, assurance that it might be accomplished. Such
model or such assurance could be derived only from antediluvian
experience or tradition; for it is in the highest degree improbable
that either could have originated, or been brought to such maturity,
in so short a space as intervenes between the descent of Noah from
the Ark, and the gigantic undertaking of his posterity. Again, the
materials were artificial; and of such perfection, well-burnt brick,
as we do not find mankind to have used in the same countries many
centuries afterwards. The construction, too, of that mysterious
relic of two worlds, which 'floated on the waters of the abyss,'
is a proof of high advance in the arts of the first. Subsequently,
all researches are at fault. From this state of intelligence and
union, mankind suddenly sink into the most wretched ignorance, and
disperse in wild confusion. A cause, such as the one in Sacred Writ,
could alone produce this effect. Broken fragments and glimmerings
of ancient knowledge, no doubt, remained with the scattered tribes
of the human family. But to trace usefully the extent, reunion, and
improvement of these imperfect elements, would be here a vain task.
The few valuable and only authentic memorials of the very early ages
are to be found in Scripture, which ascribes the origin of monuments
that may be termed architectural, to ratify contracts,--to mark the
place of the dead,--to indicate some remarkable event--to the altar
of stone; also, it contains the descriptions of regular buildings
of a later period, which have now passed away, as the walled cities
which the Israelites found in Canaan; their own early labours,--the
Temple of Solomon, the Palace of Lebanon, the 'House of Dagon,' and
other heathen temples incidentally mentioned in Scripture, to which
reference is made. All these erections and notices are confined to
that part of Asia which extends from the Black Sea to the mouth of the
Euphrates, and from the Mediterranean to the extremities of Persia.
Over the once magnificent architecture of the whole of this extensive
tract, including the seats of the most powerful and ancient monarchies
of Asia,--the Assyrian, Median, Babylonian, and Persian,--except what
can be gathered from scattered heaps of brick, utter forgetfulness
reigns. Later information is supplied by Herodotus and the Greek
writers; but, except the comparatively recent remains at Persepolis,
Baalbec, and Palmyra, already noticed, nothing exists that can throw
Public-domain text, read in full here on John Shaqi.
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