History of Sculpture, Painting, and ArchitectureMemes, J. S. (John Smythe)
Philosophy
History of Sculpture, Painting, and Architecture
Memes, J. S. (John Smythe)
Art -- History
evidence beyond their value; but it has often been matter of surprise,
that two words, belonging to the most ancient forms of the Syriac
language, should have been overlooked in the numerous derivations of
the word pyramid. _Peer_ and _Muid_, as the words in question may be
rendered in our characters, united, as in Eastern languages, forming
compound expressions, would give almost identical sound, and in
signification, 'the hill or mountain of the dead,' would be nearer the
purpose and appearance than any derivation with which we are acquainted.
Under the head of _Municipal Architecture_ is included every
application of the science to those purposes of social life not
included under the former heads, such as public buildings of all
descriptions connected with the civil business of life, up to the
arrangements of entire cities. Men, therefore, must have been assembled
together for some time, they must have agreed upon certain compacts
and regulations of society, before this branch could have made any
progress in the world. Yet we find, that not more than a century after
the flood, a city was begun, a fact already attempted to be explained;
and to what was then said it may be farther added, that the Tower
of Babel, which belonged to this city, was clearly monumental--it
was 'to make a name.' Although no vestiges of the ancient cities of
Asia or of Egypt remain, sufficient from inspection to corroborate
the descriptions of history, these lead to the belief, that, in many
instances, the plan and architecture were both regular and grand. The
reader, however, ought to be on his guard against the amplifications
of Scriptural and Homeric accounts contained in later authorities, in
as far as the former describe relatively, according to the state of
things in their own age and experience; whereas the latter, too often
forgetting this distinction, convey the impression, that grandeur
and magnificence were absolute. Yet, even with this abatement, there
remains sufficient ground of admiration in the ideas excited of Thebes,
Babylon, Nineveh, or Memphis. There appears, in this respect, a very
striking difference between the cities of the second age, after the
arts had migrated into Europe. Many circumstances tend to confirm the
opinion, that, even in Greece, Municipal Architecture in general was
not much studied, and that there were few, if any, really fine cities
among the numerous capitals of that country. Their magnificence was
concentrated in particular spots--in their agorai, or squares. Their
temples usually stood apart; so that, like the cities of modern Italy,
whatever might be the beauty, or the romantic effect of their distant
appearance, internally, they often appear to have been little more
than an irregular assemblage of narrow winding streets. Such we know
Athens to have been to a very late period. Sparta was long an unwalled
village. Argos, Thebes, or Corinth, cannot be placed in comparison
with the before mentioned capitals of Asia and Egypt.
Public-domain text, read in full here on John Shaqi.
Reviews
Reviews
No reviews yet
Be the first to share your thoughts on this work.
Elsewhere in the archive
Join the Discussion
Join the discussion
Sign in to leave a comment or review.
Sign InorCreate an account