History of Sculpture, Painting, and ArchitectureMemes, J. S. (John Smythe)
Philosophy
History of Sculpture, Painting, and Architecture
Memes, J. S. (John Smythe)
Art -- History
IN treating briefly of the architecture of Greece, though there still
exist remains of astonishing magnitude, and of the greatest beauty yet
attained among men, there are, notwithstanding, manifold difficulties
in the attempt to treat historically of its origin and progress.
Whatever information is to be derived from native writers composes
merely incidental notices, mixed up with those wild traditions and
dreamy lore, in which the Greeks, from ignorance or vanity, or both,
seem to have delighted in wrapping up the sources of their knowledge.
It is almost certain, indeed, that they never possessed, on the
present subject, any writings beyond the mere technical treatises
which must have been in the hands of architects. The compilation
of Vitruvius might be supposed amply to supply this defect of more
original materials; but, as respects the history of the art, this is
not the case. His accounts of the state of architecture in his own
time, that of Augustus, and the various scientific details into which
he enters, are excellent; they show him to have probably possessed all
the requisites which he enumerates as necessary to form an accomplished
architect, high as he rates the profession. The historical department
of his work, again, is extremely defective, not only in point of
research, but in the fanciful nature of the theories. He entirely keeps
out of view all reference to skill anterior to the arts of Greece;
while, with the incredible fables received in that country, he mixes
up no less groundless notions of his own. To these difficulties in the
more ancient sources of information, there is to be added the obscurity
arising from modern hypothesis.
Under these circumstances, and while the present limits preclude
lengthened discussion on any topic, the most eligible and useful
procedure appears to offer in a plain narrative of facts, illustrated
by a description of actual remains, by reference to ancient authors,
particularly Homer, and by analogies drawn from the state of society
and manners. Here there can be given only the general results of such
an inquiry.
Public-domain text, read in full here on John Shaqi.
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