History of Sculpture, Painting, and ArchitectureMemes, J. S. (John Smythe)
Philosophy
History of Sculpture, Painting, and Architecture
Memes, J. S. (John Smythe)
Art -- History
Into the condition of domestic architecture during the same period,
neither the poems of Homer, nor any collateral source, afford much
insight. Both in the Iliad and Odyssey, palaces are described, but
in an extremely general as well as indefinite manner. Between these
loose accounts and the graphic delineations which the same author
has given of sculptured ornaments, as in the shield of Achilles, it
is easy to perceive the difference of a description without a model,
and from reality. Sculpture, as a regular art, had already made
progress; the science of architecture was yet unknown. These palaces,
which appear to have answered all purposes of public edifices, are
described as very capacious, as containing numerous apartments, and as
very rich in doors of ivory and gold, with posts of silver; but not
the slightest impression occurs indicative of any regular order of
architectonic ornament or design. Magnificence and lavish profusion of
splendor are everywhere confounded with beauty and grace and regular
art. During the Homeric age, then, it is plain that the orders were
yet unknown--a deduction exactly tallying with the state of art in
Egypt, where from the inspection of existing monuments, it is evident,
that a system or order was in like manner undiscovered. True, the
Egyptian edifices resemble each other in general character, and even
to their measurements agree; but the same building rises into endless
multiplicity of subordinate parts and forms. So Homer heaps riches
upon riches, ornament above ornament, making that fine which he cannot
render great. This affords more valuable evidence of his veracity than
it detracts from his genius. Even the palace of Troy, though Paris
himself is represented as a great architect, is described in the same
general terms:
And now to Priam's stately courts he came,
Raised on arch'd columns of stupendous frame;
O'er these a range of marble structure runs,
The rich pavilion of his fifty sons,
In fifty chambers lodged; and rooms of state,
Opposed to these, where Priam's daughters sat;
Twelve domes for them, and their loved spouses shone,
Of equal beauty, and of polished stone.
Public-domain text, read in full here on John Shaqi.
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