History of Sculpture, Painting, and ArchitectureMemes, J. S. (John Smythe)
Philosophy
History of Sculpture, Painting, and Architecture
Memes, J. S. (John Smythe)
Art -- History
In opposition to all the preceding theories, we consider the system
of pointed architecture, or that properly denominated Gothic, to
have arisen independently, though almost contemporaneously, among
the nations of Europe most conspicuous for the cultivation of this
peculiar style. In this we are borne out by a series of monuments in
each country, showing the progressive rise and introduction of the
pointed arch, from the form of two long stones, placed on supports,
and meeting at top--a contrivance as still visible in the walls of
Mycenæ, of three thousand years' standing, up to the finished lancet
arch, as in Salisbury cathedral. Or, granting even the Eastern
introduction of the arch--and here the monuments are of very doubtful
antiquity,[F]--what does this prove with regard to the origin of the
system?--Absolutely nothing. This knowledge alone would not go further
to enable the architect to construct a Gothic cathedral, than would one
of the voussoirs in teaching him the properties of the arch itself.
The system is one entire and independent whole, in which the pointed
arch is merely an instrument subservient to principles, in consequence
of which, if not invented, it was at least improved and rendered
perfect. In this light the subject has too seldom been viewed: a light
which places Gothic architecture in true and dignified position of an
independent branch of art, governed by its own precepts of convenience,
stability, and ornament.
When, in consequence of an extraordinary out-breaking of religious
zeal and enthusiasm, an astonishing change was wrought in the frame of
European society, one of the first impulses was to provide, in those
countries hitherto comparatively ignorant of the arts, more suitable
edifices for the services of that religion, in whose cause multitudes
were shedding, or ready to shed, their blood in distant and unknown
regions. Thus the Crusades were, but not as usually supposed, the cause
of the introduction of art. They operated as one of those moral springs
of action by which the arts, as the course of human life, are found to
be directed.
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