History of Sculpture, Painting, and ArchitectureMemes, J. S. (John Smythe)
Philosophy
History of Sculpture, Painting, and Architecture
Memes, J. S. (John Smythe)
Art -- History
appear still more decidedly, were it not accompanied by inimitable
ease, and were not every part, even to the minutest ornament, an
emanation of the same refined taste and cultivated mind. It is this,
chiefly, which spreads their delightful charm of consistency over these
works; there is, on close examination, little derived immediately and
simply from nature. Every choice has finally, but not obviously, been
determined after much thought and many trials. All is that perfection
of art, by which art itself is best concealed, and which to its
creations lends the enchantment of nature's own sweetest graces.
In the monumental series of works, Canova displays all the practical
excellences of his genius, with more, perhaps, of originality and
simplicity than generally characterise his other labours. This class
consists of architectural elevations, supporting colossal statues, and
of tablets in relievo. Of the former, the tombs of the Popes at Rome,
of Alfieri at Florence, and of the Archduchess Maria Christina at
Vienna, are magnificent examples. The second constitutes a numerous and
very beautiful class, which, though composed of nearly the same simple
elements of design, a female figure, or a genius, in basso relievo,
mourning over a bust or an urn, yet exhibit much diversity of character
and arrangement. From each of these an example might be selected in
the tomb of the Archduchess, and the grand relievo of the O'Hara
family mourning over the funereal couch of the deceased daughter and
wife--equal to anything in the whole compass of art. To those who deny
the merit of Canova in relief, we recommend the study of this monument.
The former, representing a procession bearing to the tomb the ashes of
the dead, is one of the most arduous and noblest compositions extant;
and, judging from our own impressions, no record of mortality ever
better accomplished its purpose, whether to awaken regret for departed
virtue, or to tell, by its own perfection, that in man there exists an
intelligence which shall survive beyond the grave.
Public-domain text, read in full here on John Shaqi.
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