History of Spanish and Portuguese Literature (Vol 1 of 2)Bouterwek, Friedrich
History
History of Spanish and Portuguese Literature (Vol 1 of 2)
Bouterwek, Friedrich
Portuguese literature -- History and criticism; Spanish literature -- History and criticism
The romance of Persiles and Sigismunda, which Cervantes finished
shortly before his death, must be regarded as an interesting appendix
to his other works.[358] The language and the whole composition of the
story, exhibit the purest simplicity, combined with singular precision
and polish. The idea of this romance was not new, and scarcely deserved
to be reproduced in a new manner. But it appears that Cervantes at the
close of his glorious career took a fancy to imitate Heliodorus. He
has maintained the interest of the situations, but the whole work is
merely a romantic description of travels, rich enough in frightful
adventures, both by sea and land. Real and fabulous geography and
history are mixed together in an absurd and monstrous manner; and the
second half of the romance, in which the scene is transferred to Spain
and Italy, does not exactly harmonize with the spirit of the first half.
If we cast a glance on the collected works of Cervantes, in order to
ascertain what their author was entitled to claim as his original
property, independently of his contemporaries and predecessors, we
shall find that the genius of that poet, who is in general only
partially estimated, shines with the brighter lustre the longer it is
contemplated. That kind of criticism which is to be learnt, contributed
but little to the developement and formation of his genius. A critical
tact, which is a truer guide than any rule, but which abandons genius
when it forgets itself, secured the fancy of Cervantes against the
aberrations of common minds, and his sportive wit was always subject
to the control of solid judgment. The vanity which occasionally made
him mistake the true bent of his talent, must be confessed to have been
pardonable, considering how little he was known to his contemporaries.
He did not even know himself, though he felt the consciousness of
his genius. From the mental height to which he had raised himself,
he might, without too highly rating his own abilities, look down on
all the writers of his age. More than one poet of great, of immortal
genius, might be placed beside him in his own country; but of all the
Spanish poets Cervantes alone belongs to the whole world.
LOPE DE VEGA.
Public-domain text, read in full here on John Shaqi.
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