History of Spanish and Portuguese Literature (Vol 1 of 2)Bouterwek, Friedrich
History
History of Spanish and Portuguese Literature (Vol 1 of 2)
Bouterwek, Friedrich
Portuguese literature -- History and criticism; Spanish literature -- History and criticism
Boscan, having formed an intimate friendship with this
minister, was taught by him to view the Italian poetry and also the
classical latin in quite a new light. The Spanish lyric poetry, which
with all its gothic excrescences was still pleasing to the nation,
if not so barbarous in his eyes as in those of his Italian friend,
appeared to him, when compared with a sonnet of Petrarch, at least,
in the point of good taste greatly inferior. He now readily perceived
the nature and felt the value of the precision and correctness of the
great works of antiquity. Animated by his new ideas, he fearlessly
ventured to follow the counsel of Navagero, in spite of the menacing
clamour of the friends of the old national forms. He took upon himself
the character of a reformer of the lyric poetry of his nation, and
commenced his labours by writing sonnets in the manner of Petrarch.
The metrical structure of the sonnet had long been known in Spain;[148]
but the genius of Castilian poetry was adverse to that form, and the
Spaniards had manifested very little predilection for any thing like
the elegant correctness of Petrarch. Boscan had therefore elevated
himself above the literature of his country, when he perceived that it
was necessary to infuse a new spirit into Castilian poetry before it
could be reconciled to the Italian forms. His friend Garcilaso de la
Vega participated in this opinion. But thousands of voices were raised
against the reformers. Some insisted that preference was to be given to
the old Castilian verse on the ground of euphony. Others went further,
and asserted that the ear could perceive no distinction between the
new verse and prose. Finally, a third party discovered that Italian
poetry was effeminate, and was fit only for Italians and women. Boscan
relates that this violent opposition made him reflect seriously on the
propriety of proceeding with his design; but as he was soon convinced
of the futility of the reasons urged against him, he persisted in
his undertaking. His party rapidly increased and soon obtained the
superiority, not indeed throughout the whole mass of the public, but in
that portion of society which was most enlightened and refined.[149]
Public-domain text, read in full here on John Shaqi.
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