rustic nature.[204] In order to judge candidly of the pastoral truth of these compositions, it is necessary to have the Spanish romantic ideas of nature present to the mind. Montemayor is inexhaustible in new turns and images for the expression of tenderness. In depth of feeling he vies with Saa de Miranda; and, though his poetry is occasionally deficient in rhythmical polish, it in general presents so exquisite a union of the grace of language, with a happy concordance of ideas, that the reader must soon become warmed by the spirit of the poet, even though he should begin to peruse the work with indifference.[205] Montemayor’s style of romantic prose has been a model for all writers of pastoral romances in the Spanish language. How far he himself imitated the prose of Sanazzar, cannot easily be ascertained, as it is not known whether or not Sanazzar’s Arcadia[206] was the prototype of his Diana. Though it is certain that Montemayor carefully endeavoured to give precision and dignity of expression, and to impart harmony to every line of his composition, his language nevertheless appears neither laboured nor affected. His taste seems to have been in only a few instances seduced by the influence of that ostentatious solemnity, which distinguished the common chivalrous romances, written in imitation of Amadis de Gaul. In general he remained faithful to the dignified simplicity, which the author of the Amadis appears to have regarded as the genuine characteristic of the lofty style of romantic prose. To this style his protracted but rhythmically pleasing sentences may justly be said to belong.[207] It is but seldom that a low expression escapes him.[208] His descriptions are never deficient in vividness and force.[209] It is only in the didactic passages in which he propounds his philosophy of love, that his language becomes tinged with the scholastic formality, which at the period in which he wrote, was considered indispensable when any scholastic ideas were to be expressed; for though Montemayor had not received that kind of education, which in his age was considered learned, he had picked up some notions of the scholastic philosophy, which, when they interested him, he was fond of introducing into the romance of his heart.[210] The other works of Montemayor, which are not so celebrated as his Diana, are to be found in a collection of his poems, which, according to the old custom, is entitled a _Cancionero_.[211] HERRERA.