A poetess whose name and rank probably contributed to raise her reputation at this period, shone conspicuously among the writers whom Freire de Andrada ridiculed. She was called Violante do Ceo, that is, if a name may be translated, “Violante of Heaven.” As a nun of the order of Dominicans, she obtained the character of a pattern of piety. Portuguese writers, moreover mention, that she was an excellent performer on the harp, and a singer. Among her writings there are some spiritual meditations in prose. She was born in 1601, and died in 1693, having consequently attained the age of ninety-two. Her miscellaneous poems were for the first time collected after her death.[305] Violante do Ceo was certainly a woman of genius; but her genius had received a totally false cultivation. She delighted as much as any of the partizans of Faria e Sousa, in all the absurdities of Portuguese Gongorism and Marinism. With her no antithesis was too far-fetched, no play of words too trivial, if the idea she thereby expressed was, according to her opinion, extraordinary. When wanting a poetic image, she immediately has recourse to the sun, which constantly shines in her pages as in these of the other Portuguese Gongorists and Marinists, whose verses, on that account, were by the witty Andrada, pronounced transparent. The tenderness or warmth of feeling which in female poetry often gets the better of the judgment, is in the writings of Violante do Ceo unnaturally represented by a false overstrained wit, which, however, assumes the disguise of judgment. In a sonnet on a lady, named Marianna de Luna, Violante do Ceo apostrophizes the muses, as “the divinities, who, in the garden of the king of day, unloosing their sweet voices, arrest Zephyr;--who, admiring the thoughts, multiply the flowers which Apollo creates.” She implores the muses “to abandon the society of the sun, since a moon (that is to say, Marianna de _Luna_,) which is at once a sun and a prodigy, prepares for them a garden of harmony.” Whether Marianna de Luna was a musician, or whether she had really laid out a fine garden, is not clearly explained. After some unintelligible phrases, it is in conclusion declared, that “through the grace of the deity, this tuneful garden is secured by the immortal wall of eternity.”[306] In this spirit and style Violante do Ceo composed both sacred and profane poetry. One of her Spanish sonnets on the death of a lady, closes with the idea, that, “if _for such a sun_ the world is the region of setting, heaven on the other hand is _for such a sun_ (the words are expressly repeated) the region of rising.”[307] She addressed a similar sonnet to a physician, named Arraes, a word which in the Portuguese language signifies the master of a vessel; and she says, in allusion to his name, that he deserves to be captain of the ship of life, which navigates the ocean of tyrannic disease; that is to say, as the succeeding lines denote, that he ought