History of Spanish and Portuguese Literature (Vol 2 of 2)Bouterwek, Friedrich
History
History of Spanish and Portuguese Literature (Vol 2 of 2)
Bouterwek, Friedrich
Portuguese literature -- History and criticism; Spanish literature -- History and criticism
necessary to distinguish it from the high road of moralizing prose.
Patriotism and zeal for the national greatness of Portugal give a
peculiar colouring to these epistles. In the spirit of this feeling
Ferreira extols the union of Portuguese military glory, with the
improvement of manners and the cultivation of the understanding; and
with regard to cultivation, according to models, he says--one should
seek to “excel others in what is best, and only in other respects to
imitate.”[121] He zealously exhorts his friend Andrade Caminha not
to make the muses in Portugal speak any thing but Portuguese.[122] He
expresses his dissatisfaction at the little encouragement which in his
opinion was extended to genius at that period in Portugal. He also
inveighs against the perverted appreciation of good and bad, right and
wrong.[123] Within the limits of his faith, he himself discourses
exquisitely on the beauty of reason.[124] But the soft language of
feeling more particularly glows in those epistles in which he speaks
of the joys of friendship and the pleasures of rural life.[125]
Occasionally Ferreira’s didactic style takes an ironic jocular turn,
and then only does it present true Horatian facility.[126] Upon the
whole if the poetry of reason and sentiment be not more lightly
esteemed than the poetry of luxuriant fancy, Ferreira’s epistles must
be numbered among the best in modern literature.
Ferreira endeavoured to introduce epigrams, composed after the manner
of the ancients, into the poetry of his native country. But he did not
succeed in seizing the spirit of the ancient epigram. Ausonius was his
model; and the _epigrammas_ and _epitaphios_ which appear among the
works of Ferreira are not distinguished either by the tenderness or
the energy of the esteemed Greek poems of the same class. Their chief
merit is an elegant precision of language conveyed in the metrical form
of the Italian octaves; but it is only in a few instances that this
elegant precision is in any degree poignant and pleasing.[127] The
epitaphs are in general dedicated to the memory of men distinguished in
Portuguese history.
Public-domain text, read in full here on John Shaqi.
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