[231] The statement referred to in the Chronicle, that it was written four hundred years after the time of Charlemagne, is, of course, a very loose one; for Alfonso was not born in 1210. But I think he would hardly have said, “It is now full four hundred years,” (ed. 1541, fol. 228,) if it had been full four hundred and fifty. From this it may be inferred that the Chronicle was composed before 1260. Other passages tend to the same conclusion. Conde, in his Preface to his “Árabes en España,” notices the Arabic air of the Chronicle, which, however, seems to me to have been rather the air of its age throughout Europe. It is divided, perhaps not by its author, into four parts: the first opening with the creation of the world, and giving a large space to Roman history, but hastening over every thing else till it comes to the occupation of Spain by the Visigoths; the second comprehending the Gothic empire of the country and its conquest by the Moors; the third coming down to the reign of Ferdinand the Great, early in the eleventh century; and the fourth closing in 1252, with the death of Saint Ferdinand, the conqueror of Andalusia and father of Alfonso himself. Its earliest portions are the least interesting. They contain such notions and accounts of antiquity, and especially of the Roman empire, as were current among the common writers of the Middle Ages, though occasionally, as in the case of Dido,--whose memory has always been defended by the more popular chroniclers and poets of Spain against the imputations of Virgil,[232]--we have a glimpse of feelings and opinions which may be considered more national. Such passages naturally become more frequent in the Second Part, which relates to the empire of the Visigoths in Spain; though here, as the ecclesiastical writers are almost the only authority that could be resorted to, their peculiar tone prevails too much. But the Third Part is quite free and genial in its spirit, and truly Spanish; setting forth the rich old traditions of the country about the first outbreak of Pelayo from the mountains;[233] the stories of Bernardo del Carpio,[234] Fernan Gonzalez,[235] and the Seven Children of Lara;[236] with spirited sketches of Charlemagne,[237] and accounts of miracles like those of the cross made by angels for Alfonso the Chaste,[238] and of Santiago fighting against the infidels in the glorious battles of Clavijo and Hazinas.[239]