History of Spanish Literature, vol. 1 (of 3)Ticknor, George
History
History of Spanish Literature, vol. 1 (of 3)
Ticknor, George
Spanish literature -- History and criticism
The more attractive passages of the Chronicle, however, are its long
narratives. They are also the most poetical;--so poetical, indeed, that
large portions of them, with little change in their phraseology, have
since been converted into popular ballads;[246] while other portions,
hardly less considerable, are probably derived from similar, but
older, popular poetry, now either wholly lost, or so much changed by
successive oral traditions, that it has ceased to show its relationship
with the chronicling stories to which it originally gave birth.
Among these narrative passages, one of the most happy is the history
of Bernardo del Carpio, for parts of which the Chronicle appeals to
ballads more ancient than itself, while to the whole, as it stands
in the Chronicle, ballads more modern have, in their turn, been much
indebted. It is founded on the idea of a poetical contest between
Bernardo’s loyalty to his king, on the one side, and his attachment to
his imprisoned father, on the other. For he was, as we have already
learned from the old ballads and traditions, the son of a secret
marriage between the king’s sister and the Count de Sandias de Saldaña,
which had so offended the king, that he kept the Count in prison from
the time he discovered it, and concealed whatever related to Bernardo’s
birth; educating him meantime as his own son. When, however, Bernardo
grew up, he became the great hero of his age, rendering important
military services to his king and country. “But yet,” according to the
admirably strong expression of the old Chronicle,[247] “when he knew
all this, and that it was his own father that was in prison, it grieved
him to the heart, and his blood turned in his body, and he went to his
house, making the greatest moan that could be, and put on raiment of
mourning, and went to the King, Don Alfonso. And the king, when he saw
it, said to him, ‘Bernardo, do you desire my death?’ for Bernardo until
that time had held himself to be the son of the King, Don Alfonso. And
Bernardo said, ‘Sire, I do not wish for your death, but I have great
grief, because my father, the Count of Sandias, lieth in prison, and
I beseech you of your grace that you would command him to be given up
to me.’ And the King, Don Alfonso, when he heard this, said to him,
‘Bernardo, begone from before me, and never be so bold as to speak to
me again of this matter; for I swear to you, that, in all the days that
I shall live, you shall never see your father out of his prison.’ And
Bernardo said to him, ‘Sire, you are my king, and may do whatsoever you
shall hold for good, but I pray God that he will put it into your heart
to take him thence; nevertheless, I, Sire, shall in no wise cease to
serve you in all that I may.’”
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