History of Spanish Literature, vol. 1 (of 3)Ticknor, George
History
History of Spanish Literature, vol. 1 (of 3)
Ticknor, George
Spanish literature -- History and criticism
The “Bibliotheca Hispana” has already been referred to more than
once in this chapter, and must so often be relied on as an authority
hereafter that some notice of its claims should be given before we
proceed farther. Its author, Nicolas Antonio, was born at Seville, in
1617. He was educated, first by the care of Francisco Jimenez, a blind
teacher, of singular merit, attached to the College of St. Thomas in
that city; and afterwards at Salamanca, where he devoted himself with
success to the study of history and canon law. When he had completed an
honorable career at the University, he returned home, and lived chiefly
in the Convent of the Benedictines, where he had been bred, and where
an abundant and curious library furnished him with means for study,
which he used with eagerness and assiduity.
He was not, however, in haste to be known. He published nothing till
1659, when, at the age of forty-two, he printed a Latin treatise on
the Punishment of Exile, and, the same year, was appointed to the
honorable and important post of General Agent of Philip IV. at Rome.
But from this time to the end of his life he was in the public service,
and filled places of no little responsibility. In Rome he lived twenty
years, collecting about him a library said to have been second in
importance only to that of the Vatican, and devoting all his leisure to
the studies he loved. At the end of that period, he returned to Madrid,
and continued there in honorable employments till his death, which
occurred in 1684. He left behind him several works in manuscript, of
which his “Censura de Historias Fabulosas”--an examination and exposure
of several forged chronicles which had appeared in the preceding
century--was first published by Mayans y Siscar, and must be noticed
hereafter.
Public-domain text, read in full here on John Shaqi.
Reviews
Reviews
No reviews yet
Be the first to share your thoughts on this work.
Elsewhere in the archive
Join the Discussion
Join the discussion
Sign in to leave a comment or review.
Sign InorCreate an account