History of Spanish Literature, vol. 2 (of 3)Ticknor, George
History
History of Spanish Literature, vol. 2 (of 3)
Ticknor, George
Spanish literature -- History and criticism
This honor, if we may trust the uniform testimony of two centuries,
belongs, beyond question, to his Don Quixote,--the work which, above
all others, not merely of his own age, but of all modern times, bears
most deeply the impression of the national character it represents,
and has, therefore, in return, enjoyed a degree and extent of national
favor never granted to any other.[165] When Cervantes began to write
it is wholly uncertain. For twenty years preceding the appearance of
the First Part he printed nothing;[166] and the little we know of
him, during that long and dreary period of his life, shows only how
he obtained a hard subsistence for himself and his family by common
business agencies, which, we have reason to suppose, were generally of
trifling importance, and which, we are sure, were sometimes distressing
in their consequences. The tradition, therefore, of his persecutions
in La Mancha, and his own averment that the Don Quixote was begun in a
prison, are all the hints we have received concerning the circumstances
under which it was first imagined; and that such circumstances should
have tended to such a result is a striking fact in the history, not
only of Cervantes, but of the human mind, and shows how different was
his temperament from that commonly found in men of genius.
[165] My own experience in Spain fully corroborates the
suggestion of Inglis, in his very pleasant book, (Rambles in the
Footsteps of Don Quixote, London, 1837, 8vo, p. 26), that “no
Spaniard is entirely ignorant of Cervantes.” At least, none I
ever questioned on the subject--and their number was great in the
lower conditions of society--seemed to be entirely ignorant what
sort of personages were Don Quixote and Sancho Panza.
[166] He felt this himself as a dreary interval in his life,
for he says in his Prólogo: “Al cabo de tantos años como ha,
que duermo en el silencio del olvido,” etc. In fact, from 1584
till 1605 he had printed nothing except a few short poems of
little value, and seems to have been wholly occupied in painful
struggles to secure a subsistence.
Public-domain text, read in full here on John Shaqi.
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