History of Spanish Literature, vol. 2 (of 3)Ticknor, George
History
History of Spanish Literature, vol. 2 (of 3)
Ticknor, George
Spanish literature -- History and criticism
From Alcalá Lope came to Madrid, and attached himself to the Duke of
Alva; not, as it has been generally supposed, the remorseless favorite
of Philip the Second, but Antonio, the great Duke’s grandson, who had
succeeded to his ancestor’s fortunes without inheriting his formidable
spirit.[210] Lope was much liked by his new patron, and rose to be
his confidential secretary; living with him both at court and in his
retirement at Alva, where letters seem, for a time, to have taken the
place of arms and affairs. At the suggestion of the Duke, he wrote
his “Arcadia,” a pastoral romance, making a volume of considerable
size; and though chiefly in prose, yet with poetry of various kinds
freely intermixed. Such compositions, as we have seen, were already
in favor in Spain;--the last of them, the “Galatea” of Cervantes,
published in 1584, giving, perhaps, occasion to the Arcadia, which
seems to have been written almost immediately afterwards. Most of them
have one striking peculiarity; that of concealing, under the forms of
pastoral life in ancient times, adventures which had really occurred
in the times of their respective authors. The Duke was desirous to
figure among these somewhat fantastic shepherds and shepherdesses, and
therefore induced Lope to write the Arcadia, and make him its hero,
furnishing some of his own experiences as materials for the work. At
least, so the affair was understood both in Spain and France, when
the Arcadia was published, in 1598; besides which, Lope himself, a
few years later, in the Preface to some miscellaneous poems, tells us
expressly, “The Arcadia is a true history.”[211]
[210] Lord Holland treats him as the _old_ Duke (Life of Lope de
Vega, London, 1817, 2 vols., 8vo); and Southey (Quarterly Review,
1817, Vol. XVIII. p. 2) undertakes to show that it could be no
other; while Nicolas Antonio (Bib. Nov., Tom. II. p. 74) speaks
as if he were doubtful, though he inclines to think it was the
elder. But there is no doubt about it. Lope repeatedly speaks of
Antonio, _the grandson_, as his patron; e. g. in his epistle to
the Bishop of Oviedo, where he says,--
Y yo del Duque _Antonio_ dexé el Alva.
Obras Sueltas, Tom. I. p. 289.
He, however, praised the elder Duke abundantly in the second,
third, and fifth books of the “Arcadia,” giving in the last an
account of his death and of the glories of _his grandson_, whom
he again notices as his patron. Indeed, the case is quite plain,
and it is only singular that it should need an explanation; for
the idea of making the Duke of Alva, who was minister to Philip
II., a shepherd, seems to be a caricature or an absurdity, or
both. It is, however, the common impression, and may be found
again in the Semanario Pintoresco, 1839, p. 18. The younger Duke,
on the contrary, loved letters, and, if I mistake not, there is a
_Cancion_ of his in the Cancionero General of 1573, f. 178.
Public-domain text, read in full here on John Shaqi.
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